Friday, April 2nd, 2010
Don’t Forfeit Your Own Voice By Just Imitating Others!
If you never take the time and effort to discover your own best vocal sound you may well forfeit, and be deprived of ever knowing your full vocal potential. Here are some thoughts and steps to help you keep growing and be your best.
We Learn By Imitation
It is true that we learn to speak by imitation. Everything from tone quality to diction and accent will reflect those you were around during your vocally formative years. But, you are not limited to how you began. Any performer who has taken singing or acting classes realizes the tremendous potential to expand and fine-tune the vocal instrument.
There Are Limitations, But Not That Many
That being said, there are limits to what any vocalist can do, depending on the anatomy and structure of the individual. But, few of us come close to maximizing the potential that’s just waiting to happen. A modern day example of that is demonstrated in the American Idol TV show. It is common to see a mediocre singer, with good potential suddenly come alive and really communicate. How does this happen?
They are challenged, coached and rehearsed by professionals in a focused environment. They are also forced to experience new styles and genres. Some, that they may not even relate to. The result? They have the opportunity to try new things, push their abilities beyond the comfort zone and grow as artists and communicators.
Here Are Some Steps To Help You Reach Your Potential
1. Open Your Mind and Ears. Get out of the mental rut that says, “This is just how I sound.” Change that to, “This is how I have sounded, but there’s probably much, much more I can do.” Start listening to some other songs and styles within your comfort zone (for now) and sing along. If you never allow your voice to try something new you will live in a vocal and stylistic rut.
2. Be Creative and Daring Alone. Become as uninhibited as a child in using not only your voice, but also your face, arms and entire body to act out the song. Go overboard, exaggerating everything just to experience the potential. Will you need to dial that back a little in real performance? Maybe, but probably not as much as you first think. Full, honest, meaningful expression is what you owe to your listener.
3. Be Creative and Daring In Front of Others. Find a few people with some performance experience and ask them to be your audience. Let them know you are striving to expand your vocal and physical expression and get their feedback. But remember that even they should not limit your road to experimentation.
4. Use Neutral Tools. Mirrors and video feedback, using anything from a video camera, computer or iPhone can all be helpful. And, if you’re not already doing it consider some form of systematic training. That can be in the form of a few key CD’s like Complete Breathing, Warm-up & Tone to keep you on track. Comprehensive sets like Vocal Coach Singer include full training principles and exercises, journals and a guidebook to help you track your progress and make meaningful adjustments as you go. You may also find a good local teacher or coach as well as classes at a community college.
There are lots of ways to learn, but do something. Don’t forfeit your best for what just happens to be there now. Be all you can be. It’s much more satisfying for both you and the listener.
Please Share. I’d love to know what has, and has not helped you maximize your vocal gift. Comment here, or email me at chris@vocalcoach.com
Tags: american idol, chris beatty, singing lessons, singing your best, vocal coach, vocal coaching
Posted in Choir Directors, Duets to Groups, Kids and Teens, Performance, Singing Exercises, Singing and Voice Lessons, Teaching Teens To Sing, Tips Tailored for You, Worship Team | 2 Comments »
Monday, February 22nd, 2010
Have you ever noticed that those who act on their dreams with discipline and training are the ones who reach their goals? And, those who are dreamers-only, without discipline and training usually don’t accomplish their goals?
In the Olympics we see only the best of the best. Those who for years have paid the price to physically and mentally prepare for the toughest competitions in the world. The ones who know that 2/100ths of a second can make the difference between winning and loosing.
They have to train well, eat well, rest well and do everything in their power to stay healthy. Even a small cold or upset stomach can compromise their performance, and they know it. Performing at the Olympic level is very inconvenient and costly, but that’s what it takes, and they are willing to pay the price.
In contrast, American Idol shows it all. We see everything from the very gifted and talented to those who have no idea what they are doing. Many have been encouraged to audition based on their talents and dedication. Others have been encouraged to audition by well-meaning family and friends when what they really needed was more training. It’s no different than sports. It takes more than just wanting it.
What really shows the value of intense, professional training and coaching is what happens in the performances of even the best singers. They continue to improve. Many become truly great vocal communicators. They learn to own it all: The high notes, movement and expression. They deliver complete message to the audience, and that takes work, and the right kind of training.
One big lesson for us all is to know when to just encourage someone with positive comments and when to point them towards excellent training. As I have said many of times, Inspiration Without Preparation leaves you incomplete, lacking necessary skills and consistency. And, Preparation Without Inspiration often leaves you mechanical, and boring.
Does that mean we should only dream about things we are sure to accomplish? No. I regularly dream about doing all kinds of things that I couldn’t possibly accomplish in one lifetime, and I’m fine with that. But, I also realize that if I am honestly interested in accomplishing a certain goal, I have to be willing to pay the price of training and discipline. Sometimes I am willing; sometimes I’m not, but at least I know it.
How do these thoughts challenge you? Hopefully, you will look at where you are now as a singer, where you would like to be and make the big decision: Am I willing to pay the price to get to the next level? Will I sacrifice to make the time and resources available for my training?
If the answer is yes, do the necessary research to see what training is available in your area, or what resources you should purchase. If the answer is no, that’s fine, too. You can still enjoy singing at your current level and stop being anxious about not being more accomplished at this time. In either case, it’s good to identify what should, or should not be happening right now and act accordingly.
Review the underlined phrases above and sing on!
Tags: chris beatty, singing, singing lessons, vocal coach, vocal coaching, Vocal Olympics
Posted in Choir Directors, Duets to Groups, Performance, Soloist, Teaching Teens To Sing, Worship Team | No Comments »
Monday, November 9th, 2009
As Vocal Coach moves to our new BLOG format I wanted to feature a previous article that addresses a key to being a successful singer. When you sing there needs to be a coordinated effort between a number of parts of your presentation. If not the distractions and filters between you and the listener can completely block your message from getting through.
CONSIDER THESE KEY ELEMENTS AND HOW YOU NEED TO PREPARE:
The Sound/Tone Quality
Think about it. Does the message invite a full rich, vibrant tone quality or a softer, almost airy sound? Is it a declaration or conversation? Are you testifying or asking questions? You need to answer this question then practice the various possibilities. If you can’t think of any, try listening to accomplished singers and imitate what they do for various kinds of songs. Then, begin in integrate some of these qualities into your own vocal sound. A caution: I said integrate, not copy. You still need to be you, just with more possibilities of sound.
Treatment of Diction
If you’re singing a hymn or English art song, the way you pronounce the words will be handled differently than in a worship song, or a contemporary/pop style of song. If I’m singing, “My Jesus, I Love Thee,” I’ll treat the words differently than when I sing the Broadway song, “To Dream The Impossible Dream.” If I don’t, I will be putting up walls between myself, and my audience. Again, listen to the pros, imitate and play with the different options. Build some choices into your diction options. It’s the only way to keep things real and really communicate with the listener.
Phrasing & Expression
Going back to the earlier example of the difference between “My Jesus, I Love Thee,” and “To Dream The Impossible Dream,” let’s consider phrasing and other tools of expression. To begin with, most hymns will have built-in phrases that invite breathing at certain places. And, though you may make things more interesting by stretching that a bit, you are still at least partially limited unless you are doing a real pop arrangement.
With other songs, however, you have more options as to where you might breath, pause, or bring attention to a word with more or less volume or a dramatic and sometime sudden change of tone quality. The options are many and best learned by listening to those who do it best, then imitating them to feel and hear you and your voice doing it. That’s how a singer builds a repertoire of creative options. If you have never heard and felt yourself do it, you are not likely to draw on that option any time soon, even when it would be the perfect solution.
Summary: Get inspired by those who do it well in the same way you get inspired by watching an excellent, experienced athlete. Observe, analyze, imitate and integrate. And, remember throughout that to do this safely you must maintain the foundations of posture, breathing, tone, diction and expression. It’s a lot of work . . . with a lot of rewards.
Tags: chris beatty, coaching voice, expression, performance training, vocal coach, vocal coaching
Posted in Uncategorized | No Comments »