Posts Tagged ‘chris beatty’

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Training Children’s Voices is Important & Now Is The Time

Wednesday, July 6th, 2011

Please Click Here:  Chris Beatty on Training Children’s Voices

As you click on the link above you will hear my thoughts about helping our children become the best communicators they can be.

The more our kids learn about their voices, and how to use them in speaking and singing the clearer communicators they will be, and that’s important for a successful future.

Carole and I have six grandchildren and have taught literally thousands of students, young and old, around the world.  We really “get it” when it comes to teaching and coaching our kids the right way.

Please click on the audio link above, then let me know that you think by emailing chris@vocalcoach.com

Chris

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Posted in Kids and Teens, Teaching Kids To Sing, Uncategorized | No Comments »

FUN WATCHING SINGERS GROW

Thursday, June 30th, 2011

PLEASE CLICK HERE FOR A SPECIAL AUDIO MESSAGE: Chris Beatty Blog_Audio_063011

This week Carole and I have had so much fun just watching singers grow. We’ve had our usual interaction with folks via email, Facebook etc. where we get to answer questions and help singers“fill in the gaps” in the understanding of their voices.

Then there was our Tuesday night class where we had 12 singers who really want to experience all the freedom and range they can get out of their voices. Each one walked out having been challenged with concepts and exercises that took them to the next step. Since it was a class setting, they also had the added advantage of watching and listening to others trying to negotiate the same exercises.  It was just plain FUN!

Finally there were the in-person students (as apposed to Online Skype sessions).  I am absolutely amazed at what can happen in one or two hours of focused time with a student. There were two notable experiences I was aware of this week.

One was what I call “Discovery and Revelation.”  That’s when there is an area where the student and I both knew something needed to change and it happened.  Often, it was the mastering of a completely smooth and free transition from the bottom to the top of their range.   No flip, glitch or break.  Just one connected and continuous sound.

Another, is learning to OWN THE TONE.  That’s when the absence of any tension in the larynx starts to become the norm, resulting in a free, effortless sound.  As one singer said, “It just feels amazing.  It’s like I’m not working at all and there’s this big free sound coming out.”  I remember going through each of these steps in my early training and I know how significant each one was.

I hope your vocal journey leads you to the same, fun and amazing experiences. Owning vocal freedom is just plain exciting.

Have a great 4th of July, and let me know how I can help you be the best singer you can be.

Be sure to listen to the Special Audio Blog by clicking on the link at the top of this blog.

Chris

 

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Posted in From The Heart of Chris Beatty, Vocal Coach Audios | No Comments »

EVER EXPERIENCE FEAR OR INSECURITY WHEN YOU SING?

Friday, May 20th, 2011

Both fear and insecurity can cause unsteady breathing, stressed tone quality, inaccurate pitch and more.

If this is you, here are some solutions to set you free:

INEXPERIENCE. If mere inexperience is the cause, the solution will be found in developing and owning good vocal technique and performance skills.  This can be accomplished by finding a local, qualified teacher and coach, or taking advantage of Vocal Coach Online Training.  Online training is the personal, powerful, convenient and cost effective way to get the training you need.
SHYNESS. If you are a shy person by nature, you may need additional coaching to further reinforce mechanics of not only the voice, but also of expression and gestures. These will have to be exaggerated. Rehearsing with props and in front of a video camera or mirror is especially helpful.  If you don’t naturally know how to be expressive in front of a crowd consider using the Complete Performance CD. It’s a powerful tool.
PITCH ISSUES. If you have pitch issues, and know it, dig in with a sensitive, experienced teacher and conquer this ear-training issue. This is a nonnegotiable skill for singers.  If, after reasonable time you don’t see much progress get a second opinion.  If you are still not able to get from pitch center to pitch center accurately, you may have to confront the possibility that singing in public is not for you.  Even then, as long as you’re not holding a microphone, sing on, and enjoy.  Note: We can do an effective evaluation of pitch issues with a single Online Session using Skype or iChat. Just visit Personal Training on our site.
UNREALISTIC EXPECTATIONS. If your own expectations are a bit too idealistic, based more on dreams than honest feedback and careful training, it may be time to reevaluate and recalculate.  You should know that the stories behind most successful singers include a lot about very hard work. That doesn’t mean singing 8 hours a day, but It does mean learning how to use the tools of singing properly.  This includes your vocal mechanism, accurate pitch, an understanding of tone quality, expression and gesture and more. Good singers don’t just happen any more than good athletes do.  It’s always about inspiration plus . . . preparation. One, without the other, will always leave you lacking.

THE GOOD NEWS is that you don’t need to be stuck with bad vocal habits or even a lack of knowing where you really stand. Step out, reach out and enjoy the voice you have. Vocal Coach is here to serve your vocal needs.

P.S. You can now download PDF files for the leadsheets (notes & lyrics) for our most popular CD’s for only  $2.99 each. Just check the CD in the Vocal Coach Store.

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Posted in Choir Directors, From The Heart of Chris Beatty, Kids and Teens, Performance, Tone, Uncategorized | No Comments »

Just The Right Amount of Air

Thursday, March 24th, 2011

Not Enough Breath To Get The Job Done?

TOO MUCH AIR?

When a singer begins performing publicly there is a tendency to push too much air. It is often the result of adrenaline, combined with the unfamiliar feedback from monitors and house speakers.  If you take in too much air, then push it out too fast, it can compromise pitch, tone quality and more.

TOO LITTLE AIR?

Then, there are those who suddenly get timid as they hear their own voices through the sound system and are unsure of how to react.  Some singers are so distracted they actually forget to breathe and find themselves panicking as a result.

THE GOAL IS . . . JUST WHAT YOU NEED

The goal is to provide the larynx with just the right amount of air, and air pressure to get the job done. That means, of course, that the brain has to know what the demands of the phrase are.  The vocal range, length of each note, volume and even the style. Once that is understood, as a result of studying the song, the brain can tell the respiratory system exactly what to provide. As long as the breathing mechanism has been exercised the right way it will have the agility and stamina to do the job.

Sound complicated?  It is.  But, most of this will happen automatically if you will spend some time training and exercising the different parts of your singing mechanism. It also requires that you spend some time working with and analyzing what you want to do with the song.

60' Tall Inflatable Slide. Just the right amount of air brings joy to all!

SOME PEOPLE DO IT SO EASILY

“But,” you might say, “some people seem to do it so easily and naturally.”  True, but it probably took them a few years for it to become “easy and natural.”  Many artists and athletes appear to become overnight successes, but it seldom happens over night.  You just hadn’t heard about them while they were struggling through the training periods.

SOME TIPS FOR MASTERING THE AIR FLOW

  • First, remember that the voice is a  wind instrument.  A moving column of air, traveling between the vocal folds is what makes the sound. Therefore, the way you move the air has everything to do with your success.  As you look at the pictures of the 60′ tall inflatable slide it becomes clear that the right about of air is necessary if it is to serve its purpose.  Too little will collapse it.  Too much could pop.  But, just the right amount brings joy to hundreds, just like good singing.
  • Balanced posture allows you free, efficient breathing. Slouching, or sticking the head out over your toes will limit your chances for success.
  • Practicing breathing as its own skill, using sipping and hissing exercises while watching for a still posture gets the muscles ready. That, in turn, leads to good muscle memory.
  • As you inhale, remember to feel it down and out. That is, feel your inhalations expanding fully around the waist area, front, sides and into the lower back.
  • As you exhale, keep the back and sides stable. Allow the frontal abdominal wall to come in as needed but keep the back and sides comfortably expanding.

IT’S NOT MAGIC

REMEMBER: Even with  singers who seem to have an almost “magical” touch when they perform it’s really a matter of Preparation, combined with Inspiration and experience. Do the work . . . the right way . . . and you, too, will get good results.

DON’T MISS SPECIAL OFFERS

Don’t forget to check the Vocal Coach Store for current special offers and make the most of your instrument. If you’re looking for a tool to get your breathing squared away take a look at the COMPLETE BREATHING CD.  To see other special offers check out the HOME PAGE.

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Posted in Breathing, Posture, Singing Subjects, Soloist, Tone, Uncategorized | No Comments »

10, 9, 8, 7, 6, 5, 4, 3, 2, 1 DISCOVERY LAUNCH

Friday, March 4th, 2011

THE LAUNCH

February 24th was the final launch of the Discovery shuttle from the Kennedy Space Center. I was there with Carole and two good friends from Dallas. We started our day at 4:00 a.m. for the 4:50 p.m. launch. After clearing security, we were bused to a causeway several miles from the launch pad. We had a perfect viewing angle of Discovery and the enormous rockets that would power her through the Earth’s atmosphere and into space. During the hours leading up to the countdown we set up cameras and just soaked in this historic view of one of man’s most dramatic achievements. With only one second to go, there was a momentary pause in the countdown, and then it happened. The solid-fuel rocket ignited and in just seconds both shuttle and rockets were totally enveloped in a white smoky cloud. Magically, the shuttle and rockets slowly emerged from the cloud, first slowly and then accelerating quickly. This was all accompanied by a thunderous roar and shaking of the earth, completing the majestic experience.

Discovery Launch Feb 24, 2011

An Emotional, Life-Changing Experience

THE MUSIC LOVER AND SINGER

The music-lover in me was attending a concert with a fifty thousand-piece orchestra and chorus. It was truly an experience to behold and one I will never forget. The singer in me was reminded of the similarities and differences between the lift off of Discovery and hearing a highly trained singer. Both areas include specialized areas of science. Both areas also begin with dreams, an active imagination and the courage to enter into previously unknown areas. But, while mastery and understanding of all systems were necessary for Discovery, there is still a wonderful mystery that accompanies the singing process. Some of that mystery is acoustical in nature and some of it is due to the spiritual and emotional elements involved.

THE BOTTOM LINE

The bottom line for me is that I was privileged to attend the Discovery launch on February 24, 2011. I’m equally privileged to play the most unique instrument in the world: The human voice. I hope you are enjoying yours.

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HAVING THE FAITH TO GO THROUGH

Tuesday, February 22nd, 2011

Some thoughts from the heart of Carole.

My favorite book in the Bible

This week I have been reading Esther, my favorite book in the Bible. Why is this book so special to me?  Maybe it is because I am a Jewish Christ-Follower and hid my beliefs at times.  Maybe it is because Esther was in foreign territory, where I have been many times.  Or maybe it is because God placed her someplace, “For such a time as this.”

Deliberate decisions

I’ve been there.  In fact, I have been in many situations where I knew God had put me.  While there, I had to make deliberate decisions to listen to what He said.  I had to choose to obey His voice rather than what I felt.

Having the faith to go thru is my choice, and yours. Really listening, then obeying will change not only your life but the lives of those around you.  (Esther 4:14)

Open your ears to hear what God is saying and then obey
My encouragement to you is to open your ears to hear what God is saying and then obey.  You may hear His voice in times of prayer, your personal time in Scripture or from a gifted teacher.  Esther listened and obeyed.  I am continually learning this same skill and it’s a blessing.  I wish the same blessing on you.

May your week be one of hearing His voice, and obeying.

Carole

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Sinus Solutions for Singers

Wednesday, February 16th, 2011

We Don’t Sell It But We Sure Use It:  Neil Med Sinus Rinse

I just got  another question from a singer suffering from sinus problems so I thought I’d share a hot tip.

I’m not a medical doctor, but I am a singer speaker and teacher and I know how even slight sinus issues can interfere with my work.  Neil Med was suggested to us  by our allergist.  It has been a tremendous help to my wife, Carole and I as well as dozens and dozens of our singers.  Using it daily is good preventive medicine.

Neil Med is inexpensive and is available at Walgreen’s.  We recommend the style shown below with the soft squeeze bottle. Check out the link below, give it a try and let us know if it helps.

Chris

http://www.neilmed.com/usa/products.php



A great way to fight sinus problems for singers.



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Posted in Choir Directors, Vocal Health | 4 Comments »

WHEN YOU SING IS YOUR BRAIN PART OF THE MIX?

Tuesday, February 8th, 2011

BACKGROUND

As a young singer, in a very musical home, I was constantly being mentored in the things of voice and music without even knowing it.  I thought it normal to hear one’s mother playing the piano, or giving a voice lesson in our living room.  I remember hiding behind the couch and just listening, intrigued by what I was hearing.

I also didn’t think anything of it when my mother would fly to New York for one of my uncle, Samuel Barber’s premiers, whether for the opening of the new Metropolitan Opera House in Lincoln Center or with the New York Philharmonic.  I knew my family loved and respected good music, but had yet to fully understand the impact it would have on my life.

It wasn’t until I was under the gifted leadership of my high school choir director Eric Jensen, that I began to grasp the brain-ear-larynx connection.  Once that happened, I was quick to start experimenting with vocal sounds based on what I had been exposed to in my childhood. Step two happened in college under the no-nonsense guidance of my technique teacher, Dr. Harvey Ringle, and my coach, Fredrick Schauwecker. They would only settle for complete freedom in the vocal mechanism no matter what style was being sung.  They knew my potential and never let me off the hook of accurate and free singing.

The next big revelation of how the voice works occurred when I was 19.  I started singing with the Chicago Symphony Chorus under director Margaret Hillis, one of the most relentless, non-compromising director/conductors imaginable.  Every note, every phrase, all dynamics and balanced blend had to be there all the time.  Our rehearsals were exhausting, but always fruitful.

As I look back I now see that my DNA and family set the stage for my vocal passion.  But, it wasn’t until by brain, ears, larynx, respiratory system and articulators got on the same page that I really got it.

APPLICATION IN YOUR SINGING

As much as I’m sure you enjoyed reading about my background, you’re probably asking yourself, “What does this mean to me?” Here’s the answer:

1. Let this be a wake-up call to never just sing without engaging your mind. It is true that good singing should become automatic, but that only becomes reality after many hours of focusing on all the parts, then putting them together one piece at a time. As the muscle and mental memories become strong, you don’t need to think about the details; however, you always need to be vocally aware.  Always.

2. Do the musical and physical work of intelligent singing. Challenge your mind and ear as you work to perfect pitch center, phrasing and dynamics, diction and expression and the all-important posture, breathing and tone.  Never stop evaluating, improving and getting feedback from qualified, neutral sources.  Remember: Those who do the smartest preparation get the lucky breaks.

BACH TO ROCK AND EVERYTHING IN BETWEEN

In my teens and early 20’s I had the advantage of being invited to NYC for amazing rehearsals and performances by some of the best singers in the world.  Seeing their seriousness and focus impressed me.  As I ventured out and sang pop shows in Las Vegas (not something the musicians in my family had ever done) I realized the same focus and excellence was also there.  I sang family shows with amazing bands and singers.  Now, I’m part of a church whose lead singers can literally sing any style.  They have the ability to read printed arrangements or create “head arrangements” on the spot. This is not something you find in the average church.  I know that living in the Nashville area and having a congregation of 7,500 doesn’t hurt, but the point is this: Excellence can exist anywhere there are singers willing to receive instruction and discipline their craft.

SUMMARY

If you want to be an excellent singer don’t just sing.  Make sure your brain isn’t M.I.A.  Use the full resources available, whether it’s through private study, the Vocal Coach CD’s or live Online coaching.  Do something.  You owe it to your voice and your audience.

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Posted in Choir Directors, From The Heart of Chris Beatty, Singing and Voice Lessons, Soloist, Speaking Tips | 1 Comment »

“Most Wanted” List from Vocal Coach Chris Beatty

Tuesday, January 11th, 2011

Tell me about your vocal “Most Wanted” list.  That’s a list of those things you most want to have happen with your singing in 2011.

Let’s set the stage with these thoughts:

1. By definition, a good singer is a good communicator in song, using whatever styles or genres he or she chooses and can relate to.

2. To be improving one’s singing skills means the singer must be increasing in technical skill and musical knowledge.

3. Increasing these skills and knowledge take planning and effort. It doesn’t just happen because you want it to.

None of the above points are rocket science, but they are necessary reminders to most of us because, it’s easy to settle into a rut of mediocrity or even fear regarding how far we can go as singers.

The Good News

The good news is that based on many years of teaching (technique) and coaching (interpretation/expression) singers, I know you can be better. Even the most accomplished singer can always learn more.  If you’re an average singer, you haven’t even approached your range, agility, stamina and expression potential. My students range from beginners to professional touring artists and university professors, and they all have this in common: Every single one has areas in which they can grow, and that’s exactly what they’re looking for.  Is that what you are looking for?

If You’re Ready, Put it in Motion

1. Believe in your heart that you can become a better singer this year. Do you believe in the power of prayer?  The use it. Ask God to help you be consistent and maximize your gifts.  He won’t do the work for you, and you certainly can’t do His part, but the combination is unbeatable.

2. Take realistic baby steps that will allow you to measure your progress.

3. Schedule your time. Get out your calendar right now and schedule some times to work on your “Most Wanted” list. That should include planning what resources you will use (Vocal Coach material, local voice class or personal training etc). Remember: If it’s not reflected in your calendar and/or checkbook it’s probably not very high on your priority list.

4. Create a self-challenge. Most of us know what our areas of weakness are without having to ask anyone else.  Begin your list. The top of your “Vocal Most Wanted” list will read something like this: Schedule and keep vocal training appointments.

5. Take advantage of free resources like the Ten Steps to Better Breathing for Singers and the free Enhance Your Worship page.  Also, remember that, to make searching easy, all the Vocal Coach Blogs are categorized by topic.

6. Get some feedback. At some point you are going to want outside feedback and direction. Some easy forms include using a mirror or video camera to keep an eye on posture and expression. Next is using a video camera, web cam or even iPhone to record some of your singing.  There is nothing quite as honest as a recording. I also suggest playing it back for a neutral source who will give you honest input.

7.  Schedule an Online Vocal Coach Session. Having a two-way video/audio session using Skype is easy and inexpensive.  All you need is a computer with webcam and microphone (or mic/headset) which most newer computers come with.  Spending 45 minutes with me Online can give you the feedback you need to keep you on track in your practicing, as well as challenge you with new, targeted exercises.

I hope these suggestions and tips will help you create and use your vocal “Most Wanted” list.  I look forward to your feedback.

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Posted in Choir Directors, Duets to Groups, From The Heart of Chris Beatty, Soloist, Tips Tailored for You, Worship Team | 1 Comment »

Surprised By Worship Travis Cotrell-Vocal Coach Review

Monday, January 3rd, 2011

Special Book Review from Vocal Coach Chris Beatty

Surprised By Worship by Travis Cotrell

Reviewed by Chris Beatty

“Worship out of whatever pains you, concerns you, or absolutely delights you,” writes Travis Cottrell. That continuous state of worship “happens when we connect our heart with the heart of God.”

Travis clearly speaks from personal experience. Throughout the book we are challenged to have greater vision in letting God define who we are and who He is in our lives. He also encourages us to be willing to put aside our limited definition of what worship is and let God’s definition take the lead.

I love the idea of being Surprised By Worship.  It sets me up to look for something new and totally unexpected.  Those bigger-than-life surprises from God that let me know He’s just waiting for me to be available and vulnerable.  Travis definitely has a grasp on  where most of us are, or have been in our worship experiences.  He takes that knowledge, adds Scriptural truth and then challenges and leads us to a more satisfying experience.

In hindsight, Travis reflects: “Before placing me in a ministry of worship, God wanted me to likewise learn that worship is far more beautiful and diverse than this one-dimensional, cocky little redneck from the mountains of North Carolina had ever thought.”   Toward the end of the book Travis recalls the account of Shadrach, Meshack and Abednego from Daniel 3. These young Hebrew men were willing to walk out their faith even when it did not look too promising.  They knew what God said to do, and they did it.  How much more should we be willing to take God literally in all He says . . .  and be Surprised By Worship.

Surprised By Worship is available at amazon.com in hard copy or as a Kindle download.

Chris Beatty is a Christian vocal coach (vocalcoach.com) and songwriter (Holy Ground).  He lives in Brentwood TN with his wife, Carole.

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