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Monday, March 12th, 2012
GETTING THE MOST OUT OF YOUR VOCAL PRACTICE
Your Body Soul & Spirit are involved when you use your voice. None of the three can be force-fed, and all are more receptive and effective when you take a few minutes to prepare your practice and rehearsal times.
As You Prepare to Practice Consider These Principles
- Being casual about practice and rehearsal may lead to performance casualties.
- Practice makes permanent, so don’t practice using wrong technique.
- Muscles have memory, so think “mechanics” until things become more natural.
- You are more likely to reach your goals if you have some. Make a plan before you begin. Write it down!
- You are a vocal athlete and have physical limits. Athletes who never learn to warm up, work smart and cool down have more injuries and shorter careers. It’s the same for singers.
How Long To Practice?
You need the right quality and quantity of time. For a normal vocal practice session, allow 45 minutes to an hour-and-a-half. If you’re doing a lot of non-vocal, mental work (thinking through gestures, expression, lip-syncing etc.), you can go longer as long as you remain focused. When you stop making positive progress it’s time to stop. Be sensitive to your physical voice as well as what you are accomplishing . . . nor not accomplishing.
Rehearsals
Rehearsals, as apposed to working technique, may take much longer, especially when others are involved. The key is to go into it warmed up and prepared and pace the use of your voice.
When Working With Vocal Coach Training Materials
If you have the Singer series, you can get tips from the Getting Started CD on how to most effectively work through it. Whether you have the series or a variety of other CD’s the key is to decide what you want to accomplish. If you’re building or reinforcing the foundations start with Complete Breathing, Warm-Up, Tone and Expanding Your Range. Spend some time in the introductory teaching to get in the right mindset. Take notes and replay sections that jump out at you. Then, move on to the exercises, repeating as necessary until your mind and mechanism both “get it.”
Don’t be in a rush, or expect to suddenly have it all working. As all the parts learn to work together, it will be well worth the investment in time and effort. Use the form below as a practice tracker.
VOCAL WORKOUT TRACKER FORM
Copy/Paste the Workout Tracker into Word or Pages and print as many copies as you need. It will help you track what’s working and what’s not and make you a smart singer.
Name:_______________________Date:_____________________
Objectives/goals for this session: (Technique goals, songs to work on etc.) Use as much space as you need.
Reflecttions On The Session: Take all the room you need:
- What worked as planned, what is getting better/easier and what is still an issue? (Include questions, thoughts etc. so you know the areas in which you need more information etc.
- Did you end up using different materials or songs that you originally planned on?
- Are you encouraged or frustrated? Describe.
As you see patterns emerging you will know where to focus and where you may need extra help.
Have questions or comments? Let me know at moc.hcaoclacovnull@sirhc
Tags: blog.vocalcoach.com, chris beatty, chris beatty vocalcoach.com, singing lessons, vocal training, voice training
Posted in From the Coach, Singing and Voice Lessons, Singing Exercises, Soloist, Teaching Teens To Sing, Vocal Training & Practice Helps | No Comments »
CAN YOU TEACH ME TO SING?
Tuesday, February 14th, 2012
Every few weeks I get asked that question so I thought I’d respond to it here.
NOW, WHAT ABOUT SINGING? Here are the elements that need to be working well and working together in order for you to sing with good quality, accuracy and consistency.
- THE DESIRE AND WILLINGNESS to open your mouth in front of others and sing. Seem obvious? I work with some singers who have enormous desire and passion but are literally terrified to sing in public, which is rather limiting. Why this fear? They don’t know what will come out under real-life pressure.
- THE MECHANICS of posture, breathing, tone and expression are all part of what makes a singer effective. If any of those areas are weak, you will lose quality and consistency.
- A MUSICAL EAR (ear, brain, larynx connection) is a must. Without it you won’t have good pitch center (be on the right note), dynamics (loud, soft) and phrasing (what you “do” with the phrase). With decent training, someone with reasonable pitch accuracy can usually develop a good musical ear, but it takes time.
- THE DESIRE TO COMMUNICATE A MESSAGE is what separates those who just “sing” from those who “CONNECT” with the audience, which is the ultimate goal. That means analyzing the message (lyrics and musical style) and coming up with a game plan that includes expression, gestures, meaningful dynamics, phrasing and more. It’s a real effort, that when done well comes off as easy and natural. That’s what allows the listener to relax and take it in, rather than nervously wondering if you will hit the high notes.
Now, it’s time to list your strengths as well as the areas that need some work. Then, make the time to get the tools necessary to turn those weaknesses into strengths. It may be one of the most satisfying things you ever do.
If you need guidance regarding which tools will serve you best explore the vocalcoach.com web site or email me at moc.hcaoclacovnull@sirhc We are here to help you be your best and get the most enjoyment out of singing possible.
Tags: chris beatty, chris beatty vocalcoach.com, coaching voice, performance training, singing lessons, vocal training, voice lessons
Posted in From The Heart of Chris Beatty, Singing and Voice Lessons, Soloist, Songwriting, Teaching Teens To Sing, The Senior Voice, Uncategorized | No Comments »
IS SINGING IN THE CAR OK FOR THE VOICE?
Monday, January 16th, 2012
WANT TO HEAR THE AUDIO VERSION OF THIS BLOG? Click here: Blog-WarmingUpInCar_011612
Great Email Question
I got a great email question that asked this: “Chris, I bought the Vocal Coach series from you at a workshop you gave. You mention warming up while driving to rehearsal/gig. I thought I had heard not to do that. Is it ok to do that so long as posture is correct?” This is a super question because it deals with real life for a singer.
Ideal vs Reality
Let’s start with this: The “ideal” warm-up/practice scenario would have you peaceful and quiet, undisturbed. You are rested, have eaten well and have just read something relaxing. Maybe even had a string quartet playing during your meal. I’m not being sarcastic. Superstars like Luciano Pavarotti and Michael Jackson traveled with their own chef’s, food supply and, in the case of Pavarotti, entertainment.
Muscle Memory
Most singers who wait, and only warm-up and practice in perfect, ideal situations often just don’t do it. The result is that they don’t develop the muscle memory necessary for good singing.
Is Warming Up in the Car Ok?
I have sung all over the world and sometimes the only place I knew I could really “get away” to think and warm-up was in a rental car. Pavarotti and Jackson I am not, but I do know what my voice and mind and emotions feel like when I’m fully ready to perform and I’ll do about anything to make that happen. If you’re a choir or worship team member and the car is your only time to focus, put in a Vocal Coach Warm-Up or Daily Workout CD and go for it. The goal is to be ready.
If you do end up warming up in a car:
- Make sure the rear-view mirror is positioned comfortably high requiring you to sit tall to see out the back window.
- Keep your hands at the One and Three O’clock positions on the steerting wheel. It will stabilize your chest and ribs in a comfortably expanded position.
- Have a goal of physically feeling a free, rich tone since road noise, air conditioning etc. may make accurate hearing challenging.
- Don’t try to out-sing the car noise. Instead, sing smart. If you begin to strain, back off and recheck posture, breathing and tone. If you aren’t solid in those foundations make a plan, get some materials personal training and learn to do it right.
Ten Minutes Is Much Better Than Nothing
What it your schedule or situation doesn’t allow for a good warm-up? That’s where muscle memory and experience kick in and get you through, but it’s not something to get comfortable with. Those who do ultimately pay the price of sloppy, unpredictable performances. There is always some time to do humming and lip-trill exercises even if it’s while you’re in the shower and getting ready.
Summary
Do all you can to assure regular warm-up and practice times in ideal surrounding. When that can’t happen, make sure to still prepare your voice and heart even if you need to hide in the janitor’s closet or a car to do it.
Got a Question You Would Like Answered?
Just email me at moc.hcaoclacovnull@sirhc and put “Question” in the subject.
Tags: blog.vocalcoach.com, chris beatty, chris beatty vocalcoach.com, singing lessons, vocal coach, vocal training, voice training, worship leader
Posted in Soloist, Uncategorized, Vocal Coach Audios, Warm-Ups, Worship Team | No Comments »
WANT TO SING BETTER THIS YEAR THAN LAST?
Tuesday, January 3rd, 2012
If you want to sing, SING! But, because muscles have memory, and will memorize what you’re doing, right or wrong, I suggest the following:
MAKE SOME DELIBERATE PLANS.
Don’t get stuck in the rut of just thinking about it and wanting it. You don’t have to know the entire path from where you are to where you want to be, but you do need to take the first step. That requires writing down your vocal strengths and weaknesses. “But,” you might say, “I don’t really know what those are.”
By admitting that, you’ve actually taken the first step, and the second step is to get some feedback and evaluation from someone with training. That can be a current or former choir director, a neighbor with some musical/vocal training or even a visit to your local community college music department. You can also schedule an Online video session with me by signing up on the Vocal Coach site. Let whoever it is know that you are wanting their opinion on how you do with the the basics, or, if you’re more experienced with the more advanced areas of singing.
IF YOU’RE AN EXPERIENCED SINGER
If you know you need to improve your breath management and pitch accuracy you’ve got a good start. Maybe you need to add to that list the ability to smoothly move from lower notes (chest register) to higher ones (head register) smoothly. Or, are you trying to figure out how to go from just singing a song to really mastering it with full, creative expression.
IF YOU’RE A NOVICE
Get feedback on the basics include the ability to accurately match pitch, rhythm patterns, imitate simple and complex phrases etc. The more advanced areas include how you treat phrasing, diction, dynamics and expression.
IF YOU’VE STARTED YOUR LIST HERE ARE SOME TRAINING OPTIONS
- Self-Training. If you are a motivated, disciplined person you can accomplish quite a bit yourself assuming that you have good foundations like good posture, breathing and a musical ear. You also need to have had some musical experience be it in a choir or perhaps you’re part of a family who does music together. Your tools should be a good set of training CD’s or videos along with getting feedback from those around you with some experience and training.
- Local Voice Teacher/Coach. The key here is to find someone who has had systematic training. Not just someone who happens to be a good singer. Doing it and teaching it are two different things. What works for one may not work for another. That’s why teachers are trained. You also need someone who relates to your age, culture and musical goals at least to some degree. Sometimes a local college can help with suggestions and their staff might well teach outside of school.
- Live, Personal Online Training. We have found this to be a powerful tool. I regularly teach students from around the country and even as far as 8 time zones away. Skype, FaceTime, iChat etc are great tools and any webcam system works. (Check the web site for details.)
So, depending on your goals, budget and where you live you can find a way to take the next steps to being a better singer. And, I can tell you from personal experience as well as from watching lots of students that using your voice the right way is a lot more satisfying than just getting by.
PLEASE LET ME KNOW your thoughts and questions at moc.hcaoclacovnull@sirhc
I’ll be answering your questions on the blog and in videos throughout the year.
Tags: chris beatty, singing lessons, vocal coaching, vocal training, vocalcoach.com
Posted in Choir Directors, Performance, Singing and Voice Lessons, Soloist, Teaching Teens To Sing, Uncategorized, Worship Team | No Comments »
KEEPING A MOIST VOICE IN DRY WEATHER
Friday, December 2nd, 2011
IT’S WINTER. THAT MEANS LOTS OF SINGING AND DRYER AIR
ONE OF THE BIGGEST CHALLENGES all singers face is recognizing how dehydrating singing is even in the best of times. Every time we exhale we are losing moisture. In fact, when a singer like Chris Tomlin does a full concert he’s apt to lose a gallon or more of water in one night just through the breath. Add to that normal perspiration and evaporation through the skin and you need some serious hydration just to stay even. In winter, the air inside and outside is dryer it makes it even worse.
THE REAL DANGER is the control you can lose and the damage you can cause if the vocal folds (vocal cords) don’t have the right lubrication as they articulate thousands of times during a phrase.
THINGS YOU CAN DO TO HELP maintain the needed moisture include:
- Keep your body hydrated, drinking a minimum of 1/2 your body weight in ounces every day. If you weigh 160 pounds that means 80 ounces of water. If you weigh 500 pounds you ate too much on Thanksgiving day
. - If you’re physically active playing sports, shoveling snow or whatever you’ll need additional water just to stay even.
- If you’re singing, or even doing a lot of speaking you need to anticipate those times by starting to super-hydrate several days before. Drink, drink, drink and make it mostly water or juices, not caffienated drinks.
- In addition to keeping your system hydrated there are times to consider some topical moisture in the nose and throat area. This can be accomplished
with a Vick’s Personal Steam Inhaler. It’s made by Kaz and sold at Target, Walmart etc ($25-30) or Entertainer’s Secret Throat Spray (vocalcoach.com/store $6.95 ea). The steam inhaler also helps is you’ve over-used the voice a bit. The Entertainer’s Secret is a great, topical moisturizer that will keep the nasal passages, sinuses and upper throat moist even in a dry setting.
Tags: chris beatty, chris beatty vocalcoach.com, dry throat, singing lessons, vocal training, voice lessons
Posted in Choir Directors, Performance, Soloist, Uncategorized, Vocal Health, Worship Team | No Comments »
What Is The Lip-Trill or Bubble Exercise? & Dallas area, here we come.
Monday, November 7th, 2011
THE LIP-TRILL MYSTERY SOLVED (with Audio Demonstration)!
Recently, I’ve been getting a lot of questions regarding one of the most powerful vocal exercises any singer or speaker can do: THE LIP-TRILL, BUBBLE or MOTOR exercise.
Before you listen to the audio link below prepare your mind with these thoughts:
1. The lip-trill is done naturally by all babies and toddlers. Yes, YOU did it when you were younger!
2. It brings an awareness of the many parts of the face and head that are involved when you speak and sing.
3. It is the safest way to venture into your highest notes without straining or pushing.
4. It helps the body produce the right lubrication for the leading edges of the vocal folds.
5. It serves as a natural decongestant since it helps vibrate loose any thick mucus in the sinuses and nasal passages.
6. This exercise is so freeing you may literally open up entire new areas of your voice.
How important is the Lip-Trill? I have all my students sing their songs on the lip-trill sound to discover how the song SHOULD FEEL when they sing it.
CLICK HERE: Lip Trill Demo by Vocal Coach Chris Beatty
DO YOU LIVE ANYWHERE NEAR DALLAS/PLANO?
Has Your Voice Had A Tune-Up Lately?
Join us Saturday, November 12 from 9:00-Noon for a live, interactive Vocal Coach Workshop.
- LIMITED TO 15 STUDENTS.
- LIVE VIDEO FEED BETWEEN CHRIS BEATTY IN THE VOCAL COACH STUDIO IN TN & YOU IN THE VOICE KITCHEN STUDIO IN PLANO.
- A WONDERFUL AND INEXPENSIVE WAY TO GET THE PERSONAL ATTENTION YOU NEED TO BE YOUR BEST.
Please click here for more details and to sign up: Vocal Coach Workshop at the Voice Kitchen, Dallas.
The voice Kitchen is located at: 7005 Chase Oaks Blvd., Suite 250, Plano, TX 75025
Have Questions? Just call Jill at 469-383-8885
Tags: blog.vocalcoach.com, chris beatty, Lip Trill Exercise, singing lessons, vocal training, Vocal Warm-ups, Vocal Workshop, vocalcoach.com, voice lessons
Posted in Choir Directors, Singing Exercises, Singing Subjects, Soloist, Teaching Teens To Sing, Tone, Uncategorized, Vocal Coach Audios, Vocal Coach Workshops, Vocal Range, Warm-Ups | No Comments »
DISTANCE LEARNING FROM VOCAL COACH
Tuesday, August 9th, 2011
VOCAL COACHING USING LONG OR SHORT DISTANCE LEARNING IS CONVENIENT, LESS EXPENSIVE AND REALLY GETS THE JOB DONE!
What a fun time we live in when it comes to distance learning. Some of our students travel half way across the country for one-on-one, in person coaching in our Brentwood TN studio. Many, however, are traveling only a few feet to their laptops, desktops or iPads. The really amazing thing about live, distance learning is how affordable, yet powerful it is. I see and hear you; you see and hear me. That combination can accomplish a lot in a short time at a very minimal cost.
Here are some examples from the last month that I know you will enjoy hearing about:
- A singer-songwriter and physician from the East Coast needed help preparing for a recording project. We worked through diction and tone exercises as well as interpretation and phrasing. We got the job done using Skype, and now he’s ordered our Singer Series to continue the process.
- A singer-songwriter and United Nations delegate had some serious vocal challenges that we got a handle on in just a few hours in our Brentwood studio. Finding the free, natural tone quality and establishing efficient breathing (actually using less breath) were on our agenda.
- A teen worship leader needed direction to free up his maturing voice. He got more comfortable with the mechanics of singing and started to experience a more free transition between registers. All this with webcams and the free program Skype.
- A twenty-something worship leader and church soloist asked for coaching to help him “own” a particular song. After discussing the real message of the song we used such tools as lip-syncing, exaggerating diction and stabilizing posture to bring out the best vocal sound. Inspiration plus thorough preparation is always the best combination.
- In a few weeks I’ll be working with a touring artist who just had throat surgery. He and is having a challenging recovery and needs a little help making sure he is using the instrument the right way. This is just one of the many instances where the right coaching can help save a voice and a career.
- One of our students (who is a well-known singer) just called while on tour. He was having a difficult time getting over some vocal issues. Because we are on the same page as teacher and student we were able to accomplish much just over the phone.
There is nothing more satisfying and rewarding to me than watching singers overcome obstacles and be all they can be in every way. I’ve been seeing this for many years and it never stops touching my heart. That’s what Vocal Coach is all about.
Is it YOUR TIME for some personal training?
If you have questions about Vocal Coach Distance Learning or any of our Vocal Coach products please let me know in one of the following ways:
- Email me at moc.hcaoclacovnull@sirhc
- Call our NEW OFFICE PHONE NUMBER: 615-649-8067.
- Go to the Vocal Coach Web Site and check out Personal Lessons and the Vocal Coach Store.
Hope to hear from you soon, and maybe even see you.
Chris Beatty
Tags: blog.vocalcoach.com, chris and carole beatty, good foundations, performance training, singing lessons, vocalcoach.com, voice lessons, worship leader
Posted in Choir Directors, Duets to Groups, From The Heart of Chris Beatty, Singing and Voice Lessons, Soloist, Teaching Teens To Sing, Uncategorized | No Comments »
SOME QUICK TIPS FROM VOCAL COACH CHRIS BEATTY
Tuesday, July 12th, 2011
EXTREME HEAT CAN = DRY THROAT?
Dressed for HOT weather
Dressed for HOT weather
Much of the country is experiencing extreme heat. We had a heat index of 110 yesterday in Nashville which is very, very unusual. The good news for Carole and me is that we don’t have to leave the home/office/studio. The bad news is that with the air conditioner on much of the day the air is almost dangerously dry. Dry skin, dry contact lenses and, if we’re not careful, dry throat. The one and only solution is a substantial increase in water intake. So, give thanks for air conditioning, and, at the same time recognize the need to super-hydrate.
DON’T WORRY ABOUT IT, DO SOMETHING ABOUT IT
We singers are notorious about nervously wondering if the voice will “be there for us” every time. Why is this? Because, for most of us there have been times when all did not go . . . perfectly.
The solution is twofold. First, don’t waste time worrying about it. Worrying doesn’t accomplish anything. In fact, the stress caused by worrying is likely to make things worse by making you less confident, drying out your throat due to increased adrenaline and, if you are a Christ-Follower you are clearly told NOT to be anxious and worry. It will interfere with what God has for you. Just check out Matthew 6:25-27 and Philippians 4:6-7.
Second, take action and train with a goal of being the best, most consistent singers and communicator you can be. I often say that singers are vocal athletes, and really good athletes never stop training. They know that bad habits can and will creep in to your technique and the only way to avoid that is by continuing to get meaningful feedback, being honest with that feedback and being proactive in making changes.
THE GOOD NEWS FOR SINGERS is that you can incorporate many aspects of your vocal training into normal, daily life. Violin players and professional basketball players don’t have it so easy. They have to have an instrument or basketball.
How does this translate to singers? Simply by practicing and reinforcing the following:
- Upright, balanced posture whether sitting or standing.
- Breathing that goes low and doesn’t require heaving of the chest.
- Speaking with a resonant tone quality whether you are using a soft or loud volume.
- Articulating every word clearly when talking to a friend, on the phone or teaching.
By turning your everyday voice technique into a nonstop training session you will be building a muscle memory base that can transfer right into your singing.
LET US KNOW HOW WE CAN HELP YOU BE THE BEST YOU CAN BE. Email moc.hcaoclacovnull@sirhc
Tags: blog.vocalcoach.com, chris beatty, performance stress, singing lessons, vocal training, vocalcoach.com
Posted in Soloist, Speaking Tips, Uncategorized, Vocal Health, Worship Team | 4 Comments »
DICTION. IT’S MORE THAN WORDS.
Tuesday, April 19th, 2011
DICTION REALLY IS ABOUT MORE THAN WORDS
Most people know that diction is all about making your message understandable to the listener. But, for the singer, there is a lot more at stake than just the message. There are vocal issues! Issues like tone quality, pitch and vocal stamina. These areas and more are impacted by the way you pronounce your words.
Example 1: if you’re a mumbler, there’s a good chance your larynx is working overtime trying to fix the unclear words coming out of your mouth. It can’t, of course, since diction has to be taken care of with lips, tongue, teeth and an ear that knows what to listen for. Clearing up the diction will reduce vocal stress and make you a better singer.
Example 2: If you have sloppy diction when you record and depend on “fixing it in the mix” you’re building some really bad habits. It’s true that programs like ProTools, Logic Pro and AutoTune allow the engineer to correct pitch, reduce the amount of SSS or TTT and even move a syllable within the phrase. But, some things are better being done right in real-time, every time. It’s healthier for your voice, makes a better performer and makes you more fun to record.
SOME THINGS YOU CAN DO RIGHT NOW
Begin by looking at your self in a mirror and lip-syncing the words to a song. No sound, but moving lips, face and tongue. It will help you get in touch with all the muscles involved with good diction. Next, still with no sound, be even more expressive as you “sing” the song and memorize the “feeling” of good diction and expression. Finally, make sure your voice is warmed up and put the music to it. Try and duplicate what you felt in the first exercises.
Because DICTION is one of those important-but-often-neglected areas of singing, WE ARE OFFERING THE COMPLETE DICTION CD at a special price. Just CLICK HERE to learn more and save 20%.
Tags: complete diction, Diction, diction for singers, singing diction, singing lessons, vocal coach chris beatty, vocalcoach.com, voice training
Posted in Choir Directors, Diction, Performance, Soloist, Teaching Teens To Sing, Tone, Uncategorized, Worship Team | No Comments »
Just The Right Amount of Air
Thursday, March 24th, 2011
Not Enough Breath To Get The Job Done?
TOO MUCH AIR?
When a singer begins performing publicly there is a tendency to push too much air. It is often the result of adrenaline, combined with the unfamiliar feedback from monitors and house speakers. If you take in too much air, then push it out too fast, it can compromise pitch, tone quality and more.
TOO LITTLE AIR?
Then, there are those who suddenly get timid as they hear their own voices through the sound system and are unsure of how to react. Some singers are so distracted they actually forget to breathe and find themselves panicking as a result.
THE GOAL IS . . . JUST WHAT YOU NEED
The goal is to provide the larynx with just the right amount of air, and air pressure to get the job done. That means, of course, that the brain has to know what the demands of the phrase are. The vocal range, length of each note, volume and even the style. Once that is understood, as a result of studying the song, the brain can tell the respiratory system exactly what to provide. As long as the breathing mechanism has been exercised the right way it will have the agility and stamina to do the job.
Sound complicated? It is. But, most of this will happen automatically if you will spend some time training and exercising the different parts of your singing mechanism. It also requires that you spend some time working with and analyzing what you want to do with the song.
60' Tall Inflatable Slide. Just the right amount of air brings joy to all!
SOME PEOPLE DO IT SO EASILY
“But,” you might say, “some people seem to do it so easily and naturally.” True, but it probably took them a few years for it to become “easy and natural.” Many artists and athletes appear to become overnight successes, but it seldom happens over night. You just hadn’t heard about them while they were struggling through the training periods.
SOME TIPS FOR MASTERING THE AIR FLOW
- First, remember that the voice is a wind instrument. A moving column of air, traveling between the vocal folds is what makes the sound. Therefore, the way you move the air has everything to do with your success. As you look at the pictures of the 60′ tall inflatable slide it becomes clear that the right about of air is necessary if it is to serve its purpose. Too little will collapse it. Too much could pop. But, just the right amount brings joy to hundreds, just like good singing.
- Balanced posture allows you free, efficient breathing. Slouching, or sticking the head out over your toes will limit your chances for success.
- Practicing breathing as its own skill, using sipping and hissing exercises while watching for a still posture gets the muscles ready. That, in turn, leads to good muscle memory.
- As you inhale, remember to feel it down and out. That is, feel your inhalations expanding fully around the waist area, front, sides and into the lower back.
- As you exhale, keep the back and sides stable. Allow the frontal abdominal wall to come in as needed but keep the back and sides comfortably expanding.
IT’S NOT MAGIC
REMEMBER: Even with singers who seem to have an almost “magical” touch when they perform it’s really a matter of Preparation, combined with Inspiration and experience. Do the work . . . the right way . . . and you, too, will get good results.
DON’T MISS SPECIAL OFFERS
Don’t forget to check the Vocal Coach Store for current special offers and make the most of your instrument. If you’re looking for a tool to get your breathing squared away take a look at the COMPLETE BREATHING CD. To see other special offers check out the HOME PAGE.
Tags: blog.vocalcoach.com, breath control, breath support, Breathing, chris beatty, chris beatty vocalcoach.com
Posted in Breathing, Posture, Singing Subjects, Soloist, Tone, Uncategorized | No Comments »
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