Archive for the ‘Tips Tailored for You’ Category

« Older Entries | Newer Entries »

Training Children’s Voices is Important & Now Is The Time

Wednesday, July 6th, 2011

Please Click Here:  Chris Beatty on Training Children’s Voices

As you click on the link above you will hear my thoughts about helping our children become the best communicators they can be.

The more our kids learn about their voices, and how to use them in speaking and singing the clearer communicators they will be, and that’s important for a successful future.

Carole and I have six grandchildren and have taught literally thousands of students, young and old, around the world.  We really “get it” when it comes to teaching and coaching our kids the right way.

Please click on the audio link above, then let me know that you think by emailing moc.hcaoclacovnull@sirhc

Chris

Tags: , , , , , ,
Posted in Kids and Teens, Teaching Kids To Sing, Uncategorized | No Comments »

EVER EXPERIENCE FEAR OR INSECURITY WHEN YOU SING?

Friday, May 20th, 2011

Both fear and insecurity can cause unsteady breathing, stressed tone quality, inaccurate pitch and more.

If this is you, here are some solutions to set you free:

INEXPERIENCE. If mere inexperience is the cause, the solution will be found in developing and owning good vocal technique and performance skills.  This can be accomplished by finding a local, qualified teacher and coach, or taking advantage of Vocal Coach Online Training.  Online training is the personal, powerful, convenient and cost effective way to get the training you need.
SHYNESS. If you are a shy person by nature, you may need additional coaching to further reinforce mechanics of not only the voice, but also of expression and gestures. These will have to be exaggerated. Rehearsing with props and in front of a video camera or mirror is especially helpful.  If you don’t naturally know how to be expressive in front of a crowd consider using the Complete Performance CD. It’s a powerful tool.
PITCH ISSUES. If you have pitch issues, and know it, dig in with a sensitive, experienced teacher and conquer this ear-training issue. This is a nonnegotiable skill for singers.  If, after reasonable time you don’t see much progress get a second opinion.  If you are still not able to get from pitch center to pitch center accurately, you may have to confront the possibility that singing in public is not for you.  Even then, as long as you’re not holding a microphone, sing on, and enjoy.  Note: We can do an effective evaluation of pitch issues with a single Online Session using Skype or iChat. Just visit Personal Training on our site.
UNREALISTIC EXPECTATIONS. If your own expectations are a bit too idealistic, based more on dreams than honest feedback and careful training, it may be time to reevaluate and recalculate.  You should know that the stories behind most successful singers include a lot about very hard work. That doesn’t mean singing 8 hours a day, but It does mean learning how to use the tools of singing properly.  This includes your vocal mechanism, accurate pitch, an understanding of tone quality, expression and gesture and more. Good singers don’t just happen any more than good athletes do.  It’s always about inspiration plus . . . preparation. One, without the other, will always leave you lacking.

THE GOOD NEWS is that you don’t need to be stuck with bad vocal habits or even a lack of knowing where you really stand. Step out, reach out and enjoy the voice you have. Vocal Coach is here to serve your vocal needs.

P.S. You can now download PDF files for the leadsheets (notes & lyrics) for our most popular CD’s for only  $2.99 each. Just check the CD in the Vocal Coach Store.

Tags: , , , , ,
Posted in Choir Directors, From The Heart of Chris Beatty, Kids and Teens, Performance, Tone, Uncategorized | No Comments »

DICTION. IT’S MORE THAN WORDS.

Tuesday, April 19th, 2011

DICTION REALLY IS ABOUT MORE THAN WORDS

Most people know that diction is all about making your message understandable to the listener.  But, for the singer, there is a lot more at stake than just the message. There are vocal issues!  Issues like tone quality, pitch and vocal stamina.  These areas and more are impacted by the way you pronounce your words.

Example 1: if you’re a mumbler, there’s a good chance your larynx is working overtime trying to fix the unclear words coming out of your mouth.  It can’t, of course, since diction has to be taken care of with lips, tongue, teeth and an ear that knows what to listen for. Clearing up the diction will reduce vocal stress and make you a better singer.

Example 2: If you have sloppy diction when you record and depend on “fixing it in the mix” you’re building some really bad habits. It’s true that programs like ProTools, Logic Pro and AutoTune allow the engineer to correct pitch, reduce the amount of SSS or TTT and even move a syllable within the phrase.  But, some things are better being done right in real-time, every time.  It’s healthier for your voice, makes a better performer and makes you more fun to record.

SOME THINGS YOU CAN DO RIGHT NOW

Begin by looking at your self in a mirror and lip-syncing the words to a song.  No sound, but moving lips, face and tongue.  It will help you get in touch with all the muscles involved with good diction.  Next, still with no sound, be even more expressive as you “sing” the song and memorize the “feeling” of good diction and expression. Finally, make sure your voice is warmed up and put the music to it.  Try and duplicate what you felt in the first exercises.

VERY SPECIAL OFFER

Because DICTION is one of those important-but-often-neglected areas of singing, WE ARE OFFERING THE COMPLETE DICTION CD at a special price.  Just CLICK HERE to learn more and save 20%.

Tags: , , , , , , ,
Posted in Choir Directors, Diction, Performance, Soloist, Teaching Teens To Sing, Tone, Uncategorized, Worship Team | No Comments »

Just The Right Amount of Air

Thursday, March 24th, 2011

Not Enough Breath To Get The Job Done?

TOO MUCH AIR?

When a singer begins performing publicly there is a tendency to push too much air. It is often the result of adrenaline, combined with the unfamiliar feedback from monitors and house speakers.  If you take in too much air, then push it out too fast, it can compromise pitch, tone quality and more.

TOO LITTLE AIR?

Then, there are those who suddenly get timid as they hear their own voices through the sound system and are unsure of how to react.  Some singers are so distracted they actually forget to breathe and find themselves panicking as a result.

THE GOAL IS . . . JUST WHAT YOU NEED

The goal is to provide the larynx with just the right amount of air, and air pressure to get the job done. That means, of course, that the brain has to know what the demands of the phrase are.  The vocal range, length of each note, volume and even the style. Once that is understood, as a result of studying the song, the brain can tell the respiratory system exactly what to provide. As long as the breathing mechanism has been exercised the right way it will have the agility and stamina to do the job.

Sound complicated?  It is.  But, most of this will happen automatically if you will spend some time training and exercising the different parts of your singing mechanism. It also requires that you spend some time working with and analyzing what you want to do with the song.

60' Tall Inflatable Slide. Just the right amount of air brings joy to all!

SOME PEOPLE DO IT SO EASILY

“But,” you might say, “some people seem to do it so easily and naturally.”  True, but it probably took them a few years for it to become “easy and natural.”  Many artists and athletes appear to become overnight successes, but it seldom happens over night.  You just hadn’t heard about them while they were struggling through the training periods.

SOME TIPS FOR MASTERING THE AIR FLOW

  • First, remember that the voice is a  wind instrument.  A moving column of air, traveling between the vocal folds is what makes the sound. Therefore, the way you move the air has everything to do with your success.  As you look at the pictures of the 60′ tall inflatable slide it becomes clear that the right about of air is necessary if it is to serve its purpose.  Too little will collapse it.  Too much could pop.  But, just the right amount brings joy to hundreds, just like good singing.
  • Balanced posture allows you free, efficient breathing. Slouching, or sticking the head out over your toes will limit your chances for success.
  • Practicing breathing as its own skill, using sipping and hissing exercises while watching for a still posture gets the muscles ready. That, in turn, leads to good muscle memory.
  • As you inhale, remember to feel it down and out. That is, feel your inhalations expanding fully around the waist area, front, sides and into the lower back.
  • As you exhale, keep the back and sides stable. Allow the frontal abdominal wall to come in as needed but keep the back and sides comfortably expanding.

IT’S NOT MAGIC

REMEMBER: Even with  singers who seem to have an almost “magical” touch when they perform it’s really a matter of Preparation, combined with Inspiration and experience. Do the work . . . the right way . . . and you, too, will get good results.

DON’T MISS SPECIAL OFFERS

Don’t forget to check the Vocal Coach Store for current special offers and make the most of your instrument. If you’re looking for a tool to get your breathing squared away take a look at the COMPLETE BREATHING CD.  To see other special offers check out the HOME PAGE.

Tags: , , , , ,
Posted in Breathing, Posture, Singing Subjects, Soloist, Tone, Uncategorized | No Comments »

Sinus Solutions for Singers

Wednesday, February 16th, 2011

We Don’t Sell It But We Sure Use It:  Neil Med Sinus Rinse

I just got  another question from a singer suffering from sinus problems so I thought I’d share a hot tip.

I’m not a medical doctor, but I am a singer speaker and teacher and I know how even slight sinus issues can interfere with my work.  Neil Med was suggested to us  by our allergist.  It has been a tremendous help to my wife, Carole and I as well as dozens and dozens of our singers.  Using it daily is good preventive medicine.

Neil Med is inexpensive and is available at Walgreen’s.  We recommend the style shown below with the soft squeeze bottle. Check out the link below, give it a try and let us know if it helps.

Chris

http://www.neilmed.com/usa/products.php



A great way to fight sinus problems for singers.



Tags: , , , ,
Posted in Choir Directors, Vocal Health | 4 Comments »

WHEN YOU SING IS YOUR BRAIN PART OF THE MIX?

Tuesday, February 8th, 2011

BACKGROUND

As a young singer, in a very musical home, I was constantly being mentored in the things of voice and music without even knowing it.  I thought it normal to hear one’s mother playing the piano, or giving a voice lesson in our living room.  I remember hiding behind the couch and just listening, intrigued by what I was hearing.

I also didn’t think anything of it when my mother would fly to New York for one of my uncle, Samuel Barber’s premiers, whether for the opening of the new Metropolitan Opera House in Lincoln Center or with the New York Philharmonic.  I knew my family loved and respected good music, but had yet to fully understand the impact it would have on my life.

It wasn’t until I was under the gifted leadership of my high school choir director Eric Jensen, that I began to grasp the brain-ear-larynx connection.  Once that happened, I was quick to start experimenting with vocal sounds based on what I had been exposed to in my childhood. Step two happened in college under the no-nonsense guidance of my technique teacher, Dr. Harvey Ringle, and my coach, Fredrick Schauwecker. They would only settle for complete freedom in the vocal mechanism no matter what style was being sung.  They knew my potential and never let me off the hook of accurate and free singing.

The next big revelation of how the voice works occurred when I was 19.  I started singing with the Chicago Symphony Chorus under director Margaret Hillis, one of the most relentless, non-compromising director/conductors imaginable.  Every note, every phrase, all dynamics and balanced blend had to be there all the time.  Our rehearsals were exhausting, but always fruitful.

As I look back I now see that my DNA and family set the stage for my vocal passion.  But, it wasn’t until by brain, ears, larynx, respiratory system and articulators got on the same page that I really got it.

APPLICATION IN YOUR SINGING

As much as I’m sure you enjoyed reading about my background, you’re probably asking yourself, “What does this mean to me?” Here’s the answer:

1. Let this be a wake-up call to never just sing without engaging your mind. It is true that good singing should become automatic, but that only becomes reality after many hours of focusing on all the parts, then putting them together one piece at a time. As the muscle and mental memories become strong, you don’t need to think about the details; however, you always need to be vocally aware.  Always.

2. Do the musical and physical work of intelligent singing. Challenge your mind and ear as you work to perfect pitch center, phrasing and dynamics, diction and expression and the all-important posture, breathing and tone.  Never stop evaluating, improving and getting feedback from qualified, neutral sources.  Remember: Those who do the smartest preparation get the lucky breaks.

BACH TO ROCK AND EVERYTHING IN BETWEEN

In my teens and early 20’s I had the advantage of being invited to NYC for amazing rehearsals and performances by some of the best singers in the world.  Seeing their seriousness and focus impressed me.  As I ventured out and sang pop shows in Las Vegas (not something the musicians in my family had ever done) I realized the same focus and excellence was also there.  I sang family shows with amazing bands and singers.  Now, I’m part of a church whose lead singers can literally sing any style.  They have the ability to read printed arrangements or create “head arrangements” on the spot. This is not something you find in the average church.  I know that living in the Nashville area and having a congregation of 7,500 doesn’t hurt, but the point is this: Excellence can exist anywhere there are singers willing to receive instruction and discipline their craft.

SUMMARY

If you want to be an excellent singer don’t just sing.  Make sure your brain isn’t M.I.A.  Use the full resources available, whether it’s through private study, the Vocal Coach CD’s or live Online coaching.  Do something.  You owe it to your voice and your audience.

Tags: , , , , , ,
Posted in Choir Directors, From The Heart of Chris Beatty, Singing and Voice Lessons, Soloist, Speaking Tips | 1 Comment »

“Most Wanted” List from Vocal Coach Chris Beatty

Tuesday, January 11th, 2011

Tell me about your vocal “Most Wanted” list.  That’s a list of those things you most want to have happen with your singing in 2011.

Let’s set the stage with these thoughts:

1. By definition, a good singer is a good communicator in song, using whatever styles or genres he or she chooses and can relate to.

2. To be improving one’s singing skills means the singer must be increasing in technical skill and musical knowledge.

3. Increasing these skills and knowledge take planning and effort. It doesn’t just happen because you want it to.

None of the above points are rocket science, but they are necessary reminders to most of us because, it’s easy to settle into a rut of mediocrity or even fear regarding how far we can go as singers.

The Good News

The good news is that based on many years of teaching (technique) and coaching (interpretation/expression) singers, I know you can be better. Even the most accomplished singer can always learn more.  If you’re an average singer, you haven’t even approached your range, agility, stamina and expression potential. My students range from beginners to professional touring artists and university professors, and they all have this in common: Every single one has areas in which they can grow, and that’s exactly what they’re looking for.  Is that what you are looking for?

If You’re Ready, Put it in Motion

1. Believe in your heart that you can become a better singer this year. Do you believe in the power of prayer?  The use it. Ask God to help you be consistent and maximize your gifts.  He won’t do the work for you, and you certainly can’t do His part, but the combination is unbeatable.

2. Take realistic baby steps that will allow you to measure your progress.

3. Schedule your time. Get out your calendar right now and schedule some times to work on your “Most Wanted” list. That should include planning what resources you will use (Vocal Coach material, local voice class or personal training etc). Remember: If it’s not reflected in your calendar and/or checkbook it’s probably not very high on your priority list.

4. Create a self-challenge. Most of us know what our areas of weakness are without having to ask anyone else.  Begin your list. The top of your “Vocal Most Wanted” list will read something like this: Schedule and keep vocal training appointments.

5. Take advantage of free resources like the Ten Steps to Better Breathing for Singers and the free Enhance Your Worship page.  Also, remember that, to make searching easy, all the Vocal Coach Blogs are categorized by topic.

6. Get some feedback. At some point you are going to want outside feedback and direction. Some easy forms include using a mirror or video camera to keep an eye on posture and expression. Next is using a video camera, web cam or even iPhone to record some of your singing.  There is nothing quite as honest as a recording. I also suggest playing it back for a neutral source who will give you honest input.

7.  Schedule an Online Vocal Coach Session. Having a two-way video/audio session using Skype is easy and inexpensive.  All you need is a computer with webcam and microphone (or mic/headset) which most newer computers come with.  Spending 45 minutes with me Online can give you the feedback you need to keep you on track in your practicing, as well as challenge you with new, targeted exercises.

I hope these suggestions and tips will help you create and use your vocal “Most Wanted” list.  I look forward to your feedback.

Tags: , , , ,
Posted in Choir Directors, Duets to Groups, From The Heart of Chris Beatty, Soloist, Tips Tailored for You, Worship Team | 1 Comment »

FREEDOM + CONTROL = SUCCESSFUL SINGING

Tuesday, December 7th, 2010

I love the concept of FREEDOM UNDER CONTROL.  It applies to most areas of our lives including social interaction, eating, our spiritual lives and most definitely singing.

When a singer has vocal freedom there is no restriction caused by bad mechanics.  The voice doesn’t tire, and the notes at both extremes of the range are always accessible.  The result is that whatever the singer wants the voice to do, it does.   When this freedom is combined with self-control and wise restraint, great communications occur.

Why is it difficult for singers to achieve freedom under control?

Think of it as being like a college freshman that goes away to school.  Suddenly, there is enormous freedom, but often it is not in balance with the ability, and even desire, to make the most of the learning experience.  Hopefully, in time, the balance is achieved.  For some, unfortunately, it is after a lot of time and money have been wasted.

In singing, the same holds true.

Many singers learn how to use the mechanics of the voice, and that’s it.  They open their mouths and let it fly with nice tone and range, but little expression.  They don’t have the discipline and musical knowledge to finesse the phrases into powerful tools of communications.  Other singers totally get the emotions and expressions that really sell the song, but never master the mechanics that allow them to consistently get the job done.

As I said in the opening, freedom under control applies not only to singing, but also to most areas of life, including how you eat and how you relate to God.  And, here’s the beauty of it: If you are willing to openly pursue both freedom and control, you will be more successful at everything.

The best singers I know take the time and make the effort to master the mechanics of the voice.

  • Learn to hold the instrument (posture).
  • Control the energy (breath management).
  • Shape the phrases (dynamics, rhythm, tempos).
  • Deliver the words (diction).

Do the above, and you are half way there.  Then, study those who are masters of communicating songs.  Listen, imitate, experiment and be on the lookout for mentors: Those more experienced than you, who can guide and challenge you all along the way.

FREEDOM + CONTROL = SUCCESSFUL SINGING.  It’s a formula that can change the way you sing, forever.

Posted in Breathing, Choir Directors, Diction, Duets to Groups, Posture, Singing and Voice Lessons, Worship Team | No Comments »

WHAT IF YOU WERE ALWAYS BEING RECORDED?

Tuesday, November 16th, 2010

24/7 RECORDING?
What if every word you spoke and sang at home, in the car, in rehearsal and in performance was recorded? Then, at the end of the day you would be given an evaluation of how you did in areas with your tone quality, appropriate volume, clarity of your words, use of breath and more. Would that change the way you use your voice?
For some, the very possibility of being recorded and evaluated would lead to paranoia, not to mention less speaking and singing. For most, however, it should give birth to a fun, challenging and very fulfilling game called, “I will prepare mentally and physically before I open my mouth.”

THINK ABOUT IT
Every time you make an audible sound you are reinforcing your physical process be it right or wrong. If you’re like most people you speak without ever thinking about the actual sound. Hopefully, that’s because you are focusing on the message.

The fact is, we have the mental capacity to think about content and voice at the same time, and that should be our goal. Even as we begin the process we can quadruple the power of our communications by matching content with appropriate tone, volume, diction and inflections. Any time we don’t have all these elements working in harmony we risk a partial disconnect between what we think we are saying and what actually gets heard.

MAKE A LIST

It begins with you actively listening to and defining your own voice. What does it sound like? Is it rough, smooth, pitched high or low or in between? Is it soothing or alarming, unnecessarily loud or too soft to be heard? Are the words clear and easy for others to understand, or are they mumbled, requiring repeats of what you’ve said? Write down these observations. If you have the courage, ask several others to give their feedback on the above list of possibilities. Keep this list handy as you begin the Exercise In Voice Awareness.

FOR SPEAKING

  • Using your new list begin to make the changes you are capable of.
  • If you are straining your throat while trying to speak at too low a pitch (you can put a hand there and feel it) stop it. Allow your speaking voice to be slightly higher.
  • If you are always hyper and loud when you speak, relax. Get softer. It will be easier on the listener and your voice. It will also give you room to build and grow your sound when that is appropriate.
  • If you mumble your words, slow down and use the lips, tongue and teeth. With a little listening and effort you can be clear.
  • Adjust other obvious areas, then begin “hearing” your tone and voice quality before it comes out, then speak.

FOR SINGING

  • Before you make a sung sound think about it. What should it feel like (posture, breathing, tone resonance, diction)? Then, consider what it should sound like. Mentally anticipate and “hear” the sound before it comes out. This is a skill that you can develop.
  • Whenever possible, record yourself speaking or singing, and be objective as you listen back. Ask yourself what areas met your goals and what didn’t? What can you do about it? Even many smart phones can record with surprisingly accurate quality.

REMEMBER THE GOAL

As you mentally record and evaluate your voice, you will grow in your vocal awareness. Your goal is to be “hearing” your voice even before the sound is produced. This will help the different parts of the vocal process (posture, breathing, tone, diction, and volume) deliver exactly what you want rather than whatever default sound happens to come out.

WHEN WILL YOU SEE THE FRUIT?

You can start benefiting almost immediately but it will take a little time before it happens automatically. In my own experience I began just thinking about and enjoying the sound and physical sensations of the voice. Before long it was always in the back of my mind. Now, it just happens and things adjust in milliseconds before sound comes out. Because it is on autopilot, I can put all my thought into content and delivering the message whether speaking or singing.

DO YOU HAVE QUESTIONS?

Let me know your thoughts and questions at moc.hcaoclacovnull@sirhc and be sure to visit our FaceBook page by clicking the icon in the upper, left-hand corner of this page. While on the FB page click the “Like” button at the top of the page.

Tags: , , , ,
Posted in Breathing, Choir Directors, Diction, Posture, Singing Subjects, Soloist, Speaking Tips, Tone, Uncategorized, Vocal Health, Voice Fatigue and Strain, Worship Team | No Comments »

JUST DOING vs KNOWING WHAT YOU’RE DOING

Tuesday, October 19th, 2010

God Knows What He's Doing!

There’s a huge difference between Just Doing something and Knowing What You’re Doing. My challenge and encouragement is for you to move items from your Just Doing list to your Knowing What You’re Doing list, and not just with your singing.

JUST DOING

I used to have a lot of activities on my Just Doing list. At one point it would have included things like singing, working with power tools, taking pictures, writing, working out and many more. I enjoyed doing all these activities, and still do.  Now, however, I actually know what I’m doing in some of them.  That makes me much more valuable in those areas and a more satisfied person.

KNOWING WHAT YOU’RE DOING – Some personal examples.

Photography. I’m naturally a fairly good photographer. I have a feel and eye for what will look good, composition etc., but like many areas in my life I never really developed a discipline for it. Several years ago I joined the Brentwood Camera Group.  This gathering of 400 photographers, many professional meets monthly with amazing presentations and training classes. I’m learning from those who know infinitely more than I do and are willing to share. Being in their presence and under their guidance has made me a more efficient, more effective photographer. I’m also taking a college Photoshop class that is much harder and more time-consuming than I ever imagined . . . but I’m doing it.  Photoshop has gone from being an editing program I had fun with to being a power tool to enhance what I do.  Inspiration, plus preparation and feedback makes me better at doing something I already love.

Writing. I love words and I love to write and teach. Communications is exciting to me.  But I learned that I need editorial feedback before I publish anything, including this blog. Why? I assume a clarity in the message that may, or may not actually be there in my writing. I’m often shocked at the little, and sometimes not-so-little things my 25-year-old-copy editor catches and suggests.  (To be honest, it annoys me that I don’t see these things, but I swallow my pride and welcome the neutral, outside, expert input.) There’s a parallel here for singers: Just because you know the words and essence of a song doesn’t mean that’s what you’re giving the listener. That’s why we all need neutral, outside feedback.  It’s necessary. Inspiration, plus preparation and feedback makes me better at doing something already I love.

Singing. Coming from a family filled with music, including some well-known professional musicians, gave me a natural affinity and love for music. When I went to college I realized that this was the only area I was naturally good at. So, I became a music major. Since I really didn’t play any instrument well I chose voice as my major instrument . . . by default. As time went on, and I invested time and effort in voice and music theory I had an epiphany.  I “got it.”  I realized that being armed with knowledge and skill made all the difference. My music and singing went from being simply fun, to being a legitimate passion and, in my case, a vocation. It began to fill me with satisfaction.  Inspiration, plus preparation and feedback makes me better at doing something I already love.

MY CHALLENGE TO YOU

Don’t interpret my words to mean that if you want to sing well you must quit the rest of life and run off to college with a voice major.  That’s not it at all.  What I am saying, however, is that if you take your passion for singing, and add some skill-training and discipline it can change things: First, singing will become more than just fun.  It will be something you can do with consistent excellence.  It will be satisfying not only to you, but also to the listener. Second, you will be more valuable to those you sing with and for. A skilled singer has a better range and consistency, and is able to sing more styles than an unskilled one.

WHAT YOU SHOULD DO ABOUT IT

What are your areas of Inspiration that need more Preparation and Feedback? What needs to go from the Just Doing side to the Knowing What Your Doing side?  As you make that list determine which items are priority and within your power to do something about.  Then, get the resources you need and begin what will be a very fulfilling process.  If singing is near the top of your list let me help. Our training materials are inexpensive, user-friendly and very, very proven.  (If your list starts with tennis, or wanting to be a helicopter pilot . . . not so much.)

Going from Just Doing, to Knowing What You’re Doing will take an investment of time and effort. It also may require some financial investment, but this I know: If you take your Inspiration and add some carefully planned Preparation you will be more satisfied and more effective in what you do.

Tags: , , , , ,
Posted in Choir Directors, Duets to Groups, From the Coach, Kids and Teens, Soloist, Teaching Teens To Sing, Tips Tailored for You, Uncategorized, Worship Team | No Comments »

« Older Entries | Newer Entries »