Archive for the ‘Duets to Groups’ Category

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Finding the Right Songs

Friday, January 15th, 2010

Finding great songs that will work well for you takes more work than just dreaming. It isn’t as simple as just saying, “I like that song. It moves me.  I think I’ll perform that at my next opportunity.”  There is, however, a process you can work through that will help you qualify songs that you will be able to sing and communicate well, and here it is:

  1. KNOW YOURSELF.That means knowing your dependable vocal range. That’s the one that works every time you sing after a good warm-up, not the “it worked once” one. Also, be honest about what styles you can relate to at this time in your life. Loving a song doesn’t mean you are culturally and vocally ready to sing it.
  2. MAKE A LIST OF SONGS. Think out of the box and consider not only what you like, but what others like.  It’s a big world and if you want to be heard you need to be willing to color outside your familiar lines and even take some risks.
  3. MAKE SURE THE RANGE FITS, AND THE TESSITURA FITS. Range: If you are limited to commercial tracks, or an accompanist who doesn’t transpose well it’s more challenging.  Why?  Because your range, and the song’srange have to agree. If you, your accompanist or band can transpose keys to make this work it’s much easier to find songs. Tessitura: You need to also consider the “tessitura,” or average siging area of the song.  If a song has a 1 1/2 octave range and you can get it in a key that works for you, GREAT.  But if 98% of the song sits on the top 5 notes, or bottom 4 notes of your range it can wear you out vocally.  So, analyze where most the song sits and be honest and realistic as you do.  I’m not saying run from challenges.  I’m just saying know they are there.
  4. TYPE OUT THE LYRICS, THEN ACT IT. Type out the lyrics in 14-point type, triple spaced so you can make notes.  Now, read and act out the lyrics as a monologue.  Do you, and can you believe the message?  If you imagine you are doing a monologue to a group of 1st graders or senior citizens it will help you be more naturally expressive.  If not can you make it convincing, or is this song a poor choice?
  5. GET THAT ALL-IMPORTANT NEUTRAL FEEDBACK from those who will be encouraging and honest. You may want to begin by video taping yourself and making obvious changes.  It’s the perfect place to try some new ways to make a song work.  Then move on to live, people feedback. Why?  Bacause you must be willing to hear other’s opinions if you are to grow. It’s not always fun, but it is necessary.  When someone doesn’t think a song is working find out why.  Is it the message, the range, the arrangement, unclear diction, lack of meaningful phrasing or physical expressions? These are all fixable, but you have to know there’s a problem before you can fix it.
  6. There are millions of songs out there in addition to what you can write.  As you choose carefully you will increase your chances for strong communications.

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Had A Conversation With Your Larynx Lately?

Monday, November 2nd, 2009

Had A Conversation With Your Larynx Lately?

Maybe it’s time you did.  Why?  Because many of us forget that there is are a number of physical and acoustical processes that make singing possible.  One the the key players is the larynx, and the closer you two become the better, and more consistent your singing will be.

Why, just th other day I listened in to a singer-larynx conversation that went like this:*

Singer: I just want to sing.

Singer: I just want to survive your singing, and sometimes you make that tough.

Singer: Sorry about that. I get so stressed and distracted I don’t even know what I’m doing until it’s all over, and by then I’ve abused you.  You actually hurt and get rough sounding.

Larynx: You got that right.  But, if you’ll stop physically stressing me, I’ll stop emotionally stressing you.

Singer: Sounds like a plan.  Where do we start?

Larynx: Well, since we’re kind of stuck with each other for the rest of our lives, with no replacement parts available, maybe we should get to know each other.  You know, abilities, expectations etc.

Singer: I’m game.  Why don’t you start.

Larynx: Well, to start with, I was designed by the greatest inventor of all time.  He created the entire universe and everything and everyone in it.  He also figured out the mechanics and acoustics of making sound.  He’s really good!  Here are some things you should know:

The vocal folds (sometimes called vocal cords) are designed to protect the lungs from foreign objects.  When something heads that way, like food or liquid, the vocal folds close to protect the lungs. They can also become a one-way valve allowing you to cough the threat away.  Rather clever if you ask me.

The cool thing, of course, is that these same vocal folds can vibrate as air from the lungs passes between them.  And, depending on the length and thickness of their leading edge, they can produce hundreds of different pitches.

Singer: Very cool, but why can some people sing the big high notes so easily and others look and sound like they’re screaming? And it doesn’t seem to matter if they’re male or female.

Larynx: You’re right about range not being gender-specific.  Most men, of course have lower voices than most women, but there are thousands of exceptions to that. If a woman has thicker and longer vocal folds she may be a natural tenor.  If a man has shorter, thinner folds he may be an outstanding high tenor or even alto.  The Creator gave everyone a potentially wide range, but not all the same range.  Kind of like the string family in the orchestra: Violin, viola, cello and double bass.  All have wide ranges, but all have different ranges.

The important thing is to discover how we were made and maximize that range. Then, to choose song arrangements that fit into our range.  And, remember: No matter what our range you need to develop the skills and habits that will make us the most consistent and flexible singer we can be.

Singer: But, what if I don’t like our range?  What if I’m really a bass and would prefer to be a tenor?

Larynx: You’ll have to talk to the Creator about that one.  I once overheard a cello asking the Creator if he could play a violin concerto. The Creator didn’t even bother to respond.

Note to self: Stay in touch with the larynx.  It’s good for both of us as well as our listeners.

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Singing In A Circle

Monday, October 19th, 2009

Rehearse your singing groups in small circles. It’s one of the quickest ways to get everyone on the same page.

Let’s face it: The biggest challenge in getting singers to blend, and be “one voice with many parts,” is that everyone tends to do their own thing. They do what in their minds is good singing, and it may be. But, it also may not fit in with what the others singers are doing.

The Setup:

I suggest having no more than 5-6 singers per circle for the best result. Having at least one strong, accurate voice in each circle is a good idea. You can start them in circles with their own parts, but that should be quickly moved to mixed-parts circles as soon are they are able. Instruct them to look at one another’s faces and mouths, even though this will cause nervous laughter at first.

What Can Be Accomplished:

Fine-tuning pitch. As singers are able to actually hear each other it’s amazing how they naturally tune up. Unifying diction. First, they will become diction-aware in a good way. Then, as they watch others working on pronouncing clear vowels and consonants they will fall into line.
Dynamics. Be sure to use exercises and songs that have varying dynamics so everyone can learn to move together. You should also have them lip-sync the words (no sound) during this exercise.

Proof of Success:

I use the circle technique in professional groups, church choirs and worship teams, high school and junior high groups. It always works!!!

I am betting that after even one extended session of working the circle you will have dramatically improved your singers’ sound. The proof will be when you let them back in their normal arrangement. You, and they will hear the difference, and this will likely become a regular discipline in your rehearsals. Let me know how it works for you at moc.hcaoclacovnull@sirhc.

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Posted in Blend, Choir Directors, Duets to Groups, Singing Subjects, Worship Team | 1 Comment »

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