Wednesday, June 30th, 2010
Question from Blog reader:
Chris, I am having a voice problem and need your input. I’ve been using your training CD’s for a few years now and they have helped me a lot. But, here’s my problem: When I first start a song I feel short of breath. My voice feels unstable. After a few words it gets better, but I still have a problem with my voice breaking or quivering. It’s not solid, or stable. Is this a throat problem, breathing or ??? Your comments would be greatly appreciated.
Vocal Coach Answer:
When a voice is unstable, wavering, tentative or breaks and quivers there are several possible causes. Here are some likely ones and some solutions
1. Anxiety. When you are mentally or emotionally unsure about what is going to come out when you open your mouth it can interfere with breathing, posture, diction, tone, expression . . . everything. The solution will be found in being more mechanically solid than you are anxious. In other words, having such secure technique in the posture, breathing, tone and diction that nothing can interfere. Solid muscle memory, of right techniques will be your friend every time.
2. Posture. If your posture is bent or broken it will interfere with breathing, tone and self-confidence and how the listener perceives your confidence. By lifting your arms straight up over your head you will discover your balanced posture. As you slowly bring your arms back down be sure to maintain the upright alignment. The shoulders should be completely relaxed, not pulled up or back. The feeling is one of being “athletically alert,” with a comfortably upright chest. Feel like you have a long back of neck and a shorter front of the neck. The head is back, over the shoulders, with the eyes looking straight ahead. Don’t let the chin lift for high notes or fall for low notes. Keep the head position neutral. Once you can sing your songs comfortably in this position you can look anywhere you want. Just don’t move the head to help you hit a note; it won’t.
3. Breathing. Securing good breath management will help you sing through the nervous times. The muscles will just continue to get you the right amount of breath. Not too much; not too little. Good breathing starts with good posture. A good first exercise is to get on your back, on the floor and feel what parts of the body are naturally engaged when you breathe in, and out. Then start sipping the breath in through an imaginary straw, and out on a SSSSSSS sound. After you have memorized where the breathing is naturally felt, stand, check your posture and repeat the exercise with a still chest and ribs.
4. Tone. Getting your posture and breathing more secure opens the possibility for your best vocal sound, or tone quality. The physical sensations of good tone are a relaxed throat, and lots of buzzing resonance (harmonics and overtones) vibrating through the face, mouth, sinuses and nasal passages. These are all sensations that you can physically feel, memorize and reproduce. A gentle hum will begin the sensation. Adding a chewing motion to the humming will keep the face and jaw more relaxed. And, don’t be afraid of all the vibrating you feel in the face. That’s a good sign, and means you are allowing the voice to work and not forcing it. These are aspects of your vocal sound you can “feel,” and that means you can reproduce them using muscle memory.
5. Diction. Another important area is diction, pronunciation or enunciation. It just means that the listener gets the message, not just the music. The other bonus of clear diction is this: As your own ears hear clear words coming out they tell the brain to tell the larynx to just relax and keep giving the pitch. If, on the other hand, your ears hear mumbled words they often tell the brain, and the brain (for some unknown reason) gets the larynx involved. That just leads to useless tension in the throat since the larynx can’t help diction. So, when in doubt, over-pronounce a bit so that even the least attentive listener hears your message.
So, there you have it. A systematic approach, to freeing up an unstable voice by paying attention to your POSTURE, BREATHING, TONE and DICTION. Needless to say, there’s a lot more to be said on all these topics. If you want to go deeper, with principles and exercises just go to the main site at vocalcoach.com and look for the Vocal Coach Singer package, or individual subjects by title.
If you have thoughts or comments leave them in the space below. Thanks.
Tags: breathing technique for singers, chris beatty, chris beatty vocalcoach.com, larynx, performance training, Singer, singing lessons, vocalcoach.com, voice lessons, voice training
Posted in Ask the Coach, Breathing, Choir Directors, Diction, Duets to Groups, From the Coach, Performance, Posture, Singing Subjects, Tone, Voice Fatigue and Strain, Worship Team | 2 Comments »
Tuesday, June 8th, 2010
Recently, I’ve been teaching a series of classes at our church for current and developing worship leaders. We have a congregation of over 7,500 with seven weekend services, plus weekly teen and children’s events and more. That adds up to a lot of very busy singers and instrumentalists.
One of the critical skills we focus on is being able to reproduce a good blendable, relaxed and resonant tone quality. Here’s how we get there:
As the singers start getting on the same page, by thinking the same principles and using the same technique, the well-blended tone is there, and it’s amazing to hear. What began as a group of individual voices has become one voice, with many participants and multiple parts.
Remember: The key is in being able to reproduce that blendable tone by memorizing the process and physical sensations. Our singers now have a tone quality that they can more easily recall and reproduce. So can yours.
To learn more about achieving these skills with your singers check out the Tone, Blend and Group Warm-Ups CD’s. They are available individually or in the Singer and Groups sets and physical products or downloads at the Vocal Coach store.
What helps you find your best tone quality? Let me know in the “comments” section below. I’d love to hear your thoughts.
Tags: chris beatty, singers, singing, singing lessons, tone quality, vocal coach, vocal tone, vocal training, vocalcoach.com
Posted in Choir Directors, Performance, Singing Subjects, Tips Tailored for You, Tone, Worship Team | No Comments »
Friday, January 15th, 2010
Being flat, sharp, north or south of the note etc., is worth looking at. Being pitchy means you are not centering your pitch on the pitch center, which is one of the non-negotiables in singing.
Everyone has occasional inaccuracies, and even major recording artists often let the recording engineer “fix it in the mix.” That’s where they look at a graphic of the note and literally “drag” it up or down to fix it. In truth, there are a lot of problems that are fixed “in the mix.”
If you have constant pitch issues, it’s another matter, and you need to take some immediate steps to try and fix the problem. It could be a simple matter of inexperience. In rare instances, however, you may not have the natural gift, or ability to know if you are on, or even near the right note. That’s called tone deafness.
In that case, you have a long road to go, and even then you may, or may not be able to accurately sing the right notes. In the same way that some people will never be good athletes, painters or electrical engineers, some will never be accurate singers. But, as long as you’re not picking up a microphone, and claiming to be a good singer, sing on! God listens to the heart, and those hearing you sing in the shower love your spirit and heart.
Here are some steps you can take to evaluate what’s going on and get things moving in the right direction:
You need accurate feedback to know what’s happening. That can be either from another musician who can immediately tell where you are in relationship to the note, a recording of you singing, or, ideally, a combination of the two.
Once you are convinced of the need for fine-tuning your pitch accuracy, you need to look at some foundations of singing and go through the “Singer’s Pre-flight Check List.” All of these areas can have an impact on your pitch:
In summary, all those who sing in public need to have good pitch accuracy. It’s a gift and skill that can be enhanced and refined in most singers, and it’s worth the effort.
Let me know your thoughts and experiences in this area. Also, let me know if you have ever worked with any of the ear training software programs.
May the Lord bless you as you seek to be the best, most efficient communicator you can be, in singing and speaking.
Tags: Flat, Pitch, Pitchy, Sharp, Singer, Tone Deaf
Posted in Breathing, Diction, Posture, Singing Subjects, Tone, Worship Team | No Comments »