Archive for the ‘Singing Exercises’ Category

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What Is The Lip-Trill or Bubble Exercise? & Dallas area, here we come.

Monday, November 7th, 2011

THE LIP-TRILL MYSTERY SOLVED (with Audio Demonstration)! 

Recently, I’ve been getting a lot of questions regarding one of the most powerful vocal exercises any singer or speaker can do: THE LIP-TRILL, BUBBLE or MOTOR exercise.

Before you listen to the audio link below prepare your mind with these thoughts:

1. The lip-trill is done naturally by all babies and toddlers. Yes, YOU did it when you were younger!

2. It brings an awareness of the many parts of the face and head that are involved when you speak and sing.

3. It is the safest way to venture into your highest notes without straining or pushing.

4. It helps the body produce the right lubrication for the leading edges of the vocal folds.

5. It serves as a natural decongestant since it helps vibrate loose any thick mucus in the sinuses and nasal passages.

6. This exercise is so freeing you may literally open up entire new areas of your voice.

How important is the Lip-Trill? I have all my students sing their songs on the lip-trill sound to discover how the song SHOULD FEEL when they sing it.

CLICK HERE: Lip Trill Demo by Vocal Coach Chris Beatty

 

 

DO YOU LIVE ANYWHERE NEAR DALLAS/PLANO?

Has Your Voice Had A Tune-Up Lately?

Join us Saturday, November 12 from 9:00-Noon for a live, interactive Vocal Coach Workshop.

  • LIMITED TO 15 STUDENTS.
  • LIVE VIDEO FEED BETWEEN CHRIS BEATTY IN THE VOCAL COACH STUDIO IN TN & YOU IN THE VOICE KITCHEN STUDIO IN PLANO.
  • A WONDERFUL AND INEXPENSIVE WAY TO GET THE PERSONAL ATTENTION YOU NEED TO BE YOUR BEST.

Please click here for more details and to sign up: Vocal Coach Workshop at the Voice Kitchen, Dallas.

The voice Kitchen is located at:   7005 Chase Oaks Blvd., Suite 250, Plano, TX 75025

Have Questions?  Just call Jill at 469-383-8885


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Posted in Choir Directors, Singing Exercises, Singing Subjects, Soloist, Teaching Teens To Sing, Tone, Uncategorized, Vocal Coach Audios, Vocal Coach Workshops, Vocal Range, Warm-Ups | No Comments »

HOW TO REGAIN LOW NOTES AFTER SINGING HIGH ONES

Tuesday, July 13th, 2010

Question from a Blog Reader: Both my daughter and I have a problem: After we sing for a time in our highest range (we’re both sopranos), we can no longer reach our lower notes.  Is there something we’re doing wrong? Thanks.

Vocal Coach Answer: This is a very, very common problem and I’ve got some solutions I think you’ll like.

Common Scenario: You “kind of” warm up . . . though not all the time . . . and even then often while doing other things.  As you begin a rehearsal, or performance your voice gets stronger.  Because most songs don’t start on their highest notes, everything continues to feel good . . . for a while.  Then it’s time to move into some higher notes for a while AND THEN SUDDENLY sing some lower notes.  The same notes that were strong and easy when you started.  How hard could that be?

Plenty hard if you don’t regularly exercise through your full range, from top to bottom.  And the more casual you are about maintaining your voice the more likely you will encounter this situation.  Does the above scenario describe your experience?  If so, a great solution can be easily explained.

Solution:

First Some Background

Understand that there are 19 muscles busily adjusting so that just the right length and thickness of the vocal folds (vocal cords) are able to vibrate. As the sub-glottal breath comes up from the lungs, the vibrating leading edges of the folds produce a specific pitch, or frequency. Faster vibrations result in a higher pitch; slower vibrations, a lower pitch. The many adjustments that make this all happen can be quite effortless and automatic if, and only if you have trained and prepared your voice. It’s all about muscle memory and what your voice has memorized, be it good, or bad.

Here’s Your Course of Action

  1. Review your own concept and process of warming up your voice. If you’ve been too casual about it you can change that.
  2. Determine to never do much singing without first warming up. Even if you’re singing in the shower or the car, a few minutes of humming and lip-trills can go a long way. Often, the biggest offenders are trained singers who manage to “get away with” no warm-ups. But, it will catch up, and there is danger of slowly wearing away your vocal health without even knowing it . . . until it’s too late.  An obvious parallel is the trained athlete. The good ones always, warm and stretch the muscles to minimize the risk of injury and maximize the performance potential. It’s no different for singers. Either you are treating your voice well, or you’re not.  The proof is in how well, and how consistently your voice performs.
  3. Schedule times to warm-up and workout your voice. Be creative, but find a time and place that allows you to focus and analyze the feedback you’re getting from your voice. Just singing doesn’t make you a better singer.
  4. Plan your warm-ups. In addition to the many helpful tips on this site and at vocalcoach.com try this pattern: Start in a comfortable “speaking” range, humming five-tone scales on a light Hooo.  Start going up by half or whole steps. Then, come back down to where you started. Next, go lower, then back to the starting range, back up, down to the starting area, down lower,  etc. The goal is to always exercise both extremes of your range every time you warm up.  Just preparing the higher range can leave you vulnerable when those lower notes are needed, and it’s unhealthy for the vocal mechanism. Another athletic parallel: Good physical trainers always have you work both the biceps and triceps, not just one or the other. They also have you strengthen the abdominal and back muscles. It’s the only way to have a structurally sound and functional body.
  5. Respect your voice and it will always be there.
  6. Never sing harder or higher than your voice is ready for.
  7. Use technology. Carry warm-up CD’s in your car or on your phone or iPod.
  8. Anticipate the particular challenges of the songs you’ll be singing and prepare for those challenges.  That means not only systematic warm-ups, but also getting enough rest, eating well and getting some exercise.  Remember: You are a vocal athlete.

You now have one more reason to care for your voice. As you do, you and your listeners will hear the results and you will be a happy singer.

Let me know your thoughts or questions in the “comments” section below.

Chris Beatty

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Posted in From the Coach, Performance, Singing Exercises, Singing Subjects, Soloist, Vocal Range, Voice Fatigue and Strain, Warm-Ups, Worship Team | 3 Comments »

Don’t Forfeit Your Own Voice By Just Imitating Others!

Friday, April 2nd, 2010

Don’t Forfeit Your Own Voice By Just Imitating Others!

If you never take the time and effort to discover your own best vocal sound you may well forfeit, and be deprived of ever knowing your full vocal potential.  Here are some thoughts and steps to help you keep growing and be your best.

We Learn By Imitation

It is true that we learn to speak by imitation. Everything from tone quality to diction and accent will reflect those you were around during your vocally formative years.  But, you are not limited to how you began. Any performer who has taken singing or acting classes realizes the tremendous potential to expand and fine-tune the vocal instrument.

There Are Limitations, But Not That Many

That being said, there are limits to what any vocalist can do, depending on the anatomy and structure of the individual. But, few of us come close to maximizing the potential that’s just waiting to happen.  A modern day example of that is demonstrated in the American Idol TV show.  It is common to see a mediocre singer, with good potential suddenly come alive and really communicate.  How does this happen?

They are challenged, coached and rehearsed by professionals in a focused environment.  They are also forced to experience new styles and genres.  Some, that they may not even relate to.  The result?  They have the opportunity to try new things, push their abilities beyond the comfort zone and grow as artists and communicators.

Here Are Some Steps To Help You Reach Your Potential

1. Open Your Mind and Ears. Get out of the mental rut that says, “This is just how I sound.”  Change that to, “This is how I have sounded, but there’s probably much, much more I can do.”  Start listening to some other songs and styles within your comfort zone (for now) and sing along.  If you never allow your voice to try something new you will live in a vocal and stylistic rut.

2. Be Creative and Daring Alone. Become as uninhibited as a child in using not only your voice, but also your face, arms and entire body to act out the song.  Go overboard, exaggerating everything just to experience the potential.  Will you need to dial that back a little in real performance?  Maybe, but probably not as much as you first think.  Full, honest, meaningful expression is what you owe to your listener.

3. Be Creative and Daring In Front of Others. Find a few people with some performance experience and ask them to be your audience.  Let them know you are striving to expand your vocal and physical expression and get their feedback. But remember that even they should not limit your road to experimentation.

4. Use Neutral Tools. Mirrors and video feedback, using anything from a video camera, computer or iPhone can all be helpful.  And, if you’re not already doing it consider some form of systematic training. That can be in the form of a few key CD’s like Complete Breathing, Warm-up & Tone to keep you on track.  Comprehensive sets like Vocal Coach Singer include full training principles and exercises, journals and a guidebook to help you track your progress and make meaningful adjustments as you go.  You may also find a good local teacher or coach as well as classes at a community college.

There are lots of ways to learn, but do something. Don’t forfeit your best for what just happens to be there now.  Be all you can be.  It’s much more satisfying for both you and the listener.

Please Share. I’d love to know what has, and has not helped you maximize your vocal gift.  Comment here, or email me at chris@vocalcoach.com

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Posted in Choir Directors, Duets to Groups, Kids and Teens, Performance, Singing and Voice Lessons, Singing Exercises, Teaching Teens To Sing, Tips Tailored for You, Worship Team | 2 Comments »

WHO IS CONTROLLING YOUR VOICE? YOU, OR IT?

Sunday, March 21st, 2010

Do you control your voice, or does it control you? An odd question?  Perhaps, but I know many a singer who’s happiness with life is linked to whether their voice is working well, or not on any given day. And many of these same singers are doing absolutely nothing to build vocal foundations that result in a predictable, stable vocal experience.

In other words, they’re treating the voice as a mysterious, sometimes-it’s-there, sometimes-it’s-not instrument, and that never works. The fact is, what we call “the voice” can be as predictable and dependable as a carpenter’s tool or a professional baseball pitcher’s throwing arm.  Both the tool and the arm can have issues, of course, but with proper development and maintenance they tend to serve well for many years.

My advice is to be proactive with your voice. Identify your weaknesses as well as areas that you just don’t understand at all.  Be honest. Then, step-by-step, find ways to conquer each area, either with personal training, Online training, or with hardcopy or download CD’s that address your issues.  The important thing is that YOU be in charge of your voice.  Don’t just LET things happenMAKE things happen.

Got some specific questions that need answering?  Let me know at chris@vocalcoach.com and be sure to see the new special offer on the Vocal Coach store.

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Posted in Choir Directors, Duets to Groups, From the Coach, Performance, Singing Exercises, Soloist, Teaching Teens To Sing, Tips Tailored for You, Uncategorized, Worship Team | No Comments »

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