Tuesday, July 13th, 2010
Question from a Blog Reader: Both my daughter and I have a problem: After we sing for a time in our highest range (we’re both sopranos), we can no longer reach our lower notes. Is there something we’re doing wrong? Thanks.
Vocal Coach Answer: This is a very, very common problem and I’ve got some solutions I think you’ll like.
Common Scenario: You “kind of” warm up . . . though not all the time . . . and even then often while doing other things. As you begin a rehearsal, or performance your voice gets stronger. Because most songs don’t start on their highest notes, everything continues to feel good . . . for a while. Then it’s time to move into some higher notes for a while AND THEN SUDDENLY sing some lower notes. The same notes that were strong and easy when you started. How hard could that be?
Plenty hard if you don’t regularly exercise through your full range, from top to bottom. And the more casual you are about maintaining your voice the more likely you will encounter this situation. Does the above scenario describe your experience? If so, a great solution can be easily explained.
Solution:
First Some Background
Understand that there are 19 muscles busily adjusting so that just the right length and thickness of the vocal folds (vocal cords) are able to vibrate. As the sub-glottal breath comes up from the lungs, the vibrating leading edges of the folds produce a specific pitch, or frequency. Faster vibrations result in a higher pitch; slower vibrations, a lower pitch. The many adjustments that make this all happen can be quite effortless and automatic if, and only if you have trained and prepared your voice. It’s all about muscle memory and what your voice has memorized, be it good, or bad.
Here’s Your Course of Action
You now have one more reason to care for your voice. As you do, you and your listeners will hear the results and you will be a happy singer.
Let me know your thoughts or questions in the “comments” section below.
Chris Beatty
Tags: chris beatty, singing lessons, singing low notes, vocal coach, vocal lessons, vocal training, vocal warmups, vocalcoach.com, worship leader
Posted in From the Coach, Performance, Singing Exercises, Singing Subjects, Soloist, Vocal Range, Voice Fatigue and Strain, Warm-Ups, Worship Team | 1 Comment »
Wednesday, June 30th, 2010
Question from Blog reader:
Chris, I am having a voice problem and need your input. I’ve been using your training CD’s for a few years now and they have helped me a lot. But, here’s my problem: When I first start a song I feel short of breath. My voice feels unstable. After a few words it gets better, but I still have a problem with my voice breaking or quivering. It’s not solid, or stable. Is this a throat problem, breathing or ??? Your comments would be greatly appreciated.
Vocal Coach Answer:
When a voice is unstable, wavering, tentative or breaks and quivers there are several possible causes. Here are some likely ones and some solutions
1. Anxiety. When you are mentally or emotionally unsure about what is going to come out when you open your mouth it can interfere with breathing, posture, diction, tone, expression . . . everything. The solution will be found in being more mechanically solid than you are anxious. In other words, having such secure technique in the posture, breathing, tone and diction that nothing can interfere. Solid muscle memory, of right techniques will be your friend every time.
2. Posture. If your posture is bent or broken it will interfere with breathing, tone and self-confidence and how the listener perceives your confidence. By lifting your arms straight up over your head you will discover your balanced posture. As you slowly bring your arms back down be sure to maintain the upright alignment. The shoulders should be completely relaxed, not pulled up or back. The feeling is one of being “athletically alert,” with a comfortably upright chest. Feel like you have a long back of neck and a shorter front of the neck. The head is back, over the shoulders, with the eyes looking straight ahead. Don’t let the chin lift for high notes or fall for low notes. Keep the head position neutral. Once you can sing your songs comfortably in this position you can look anywhere you want. Just don’t move the head to help you hit a note; it won’t.
3. Breathing. Securing good breath management will help you sing through the nervous times. The muscles will just continue to get you the right amount of breath. Not too much; not too little. Good breathing starts with good posture. A good first exercise is to get on your back, on the floor and feel what parts of the body are naturally engaged when you breathe in, and out. Then start sipping the breath in through an imaginary straw, and out on a SSSSSSS sound. After you have memorized where the breathing is naturally felt, stand, check your posture and repeat the exercise with a still chest and ribs.
4. Tone. Getting your posture and breathing more secure opens the possibility for your best vocal sound, or tone quality. The physical sensations of good tone are a relaxed throat, and lots of buzzing resonance (harmonics and overtones) vibrating through the face, mouth, sinuses and nasal passages. These are all sensations that you can physically feel, memorize and reproduce. A gentle hum will begin the sensation. Adding a chewing motion to the humming will keep the face and jaw more relaxed. And, don’t be afraid of all the vibrating you feel in the face. That’s a good sign, and means you are allowing the voice to work and not forcing it. These are aspects of your vocal sound you can “feel,” and that means you can reproduce them using muscle memory.
5. Diction. Another important area is diction, pronunciation or enunciation. It just means that the listener gets the message, not just the music. The other bonus of clear diction is this: As your own ears hear clear words coming out they tell the brain to tell the larynx to just relax and keep giving the pitch. If, on the other hand, your ears hear mumbled words they often tell the brain, and the brain (for some unknown reason) gets the larynx involved. That just leads to useless tension in the throat since the larynx can’t help diction. So, when in doubt, over-pronounce a bit so that even the least attentive listener hears your message.
So, there you have it. A systematic approach, to freeing up an unstable voice by paying attention to your POSTURE, BREATHING, TONE and DICTION. Needless to say, there’s a lot more to be said on all these topics. If you want to go deeper, with principles and exercises just go to the main site at vocalcoach.com and look for the Vocal Coach Singer package, or individual subjects by title.
If you have thoughts or comments leave them in the space below. Thanks.
Tags: breathing technique for singers, chris beatty, chris beatty vocalcoach.com, larynx, performance training, Singer, singing lessons, vocalcoach.com, voice lessons, voice training
Posted in Ask the Coach, Breathing, Choir Directors, Diction, Duets to Groups, From the Coach, Performance, Posture, Singing Subjects, Tone, Voice Fatigue and Strain, Worship Team | 2 Comments »
Tuesday, June 8th, 2010
Recently, I’ve been teaching a series of classes at our church for current and developing worship leaders. We have a congregation of over 7,500 with seven weekend services, plus weekly teen and children’s events and more. That adds up to a lot of very busy singers and instrumentalists.
One of the critical skills we focus on is being able to reproduce a good blendable, relaxed and resonant tone quality. Here’s how we get there:
As the singers start getting on the same page, by thinking the same principles and using the same technique, the well-blended tone is there, and it’s amazing to hear. What began as a group of individual voices has become one voice, with many participants and multiple parts.
Remember: The key is in being able to reproduce that blendable tone by memorizing the process and physical sensations. Our singers now have a tone quality that they can more easily recall and reproduce. So can yours.
To learn more about achieving these skills with your singers check out the Tone, Blend and Group Warm-Ups CD’s. They are available individually or in the Singer and Groups sets and physical products or downloads at the Vocal Coach store.
What helps you find your best tone quality? Let me know in the “comments” section below. I’d love to hear your thoughts.
Tags: chris beatty, singers, singing, singing lessons, tone quality, vocal coach, vocal tone, vocal training, vocalcoach.com
Posted in Choir Directors, Performance, Singing Subjects, Tips Tailored for You, Tone, Worship Team | No Comments »
Thursday, June 3rd, 2010
Comment from Vocal Coach Chris Beatty: My guest author for this blog is one worth hearing, in words and music . Jamie Harvill is not only the author of Ancient of Days, Firm Foundation and many more popular worship songs. He is a pastor and highly experienced worship leader, guitarist, singer and one of my favorite worship leaders. If you go to Jamie’s site at jamieharvill.com you can take advantage of his summer Online-and-phone training classes for songwriters and worship leaders.
When interviewed for a magazine a few days ago I was asked the question, “What would you say are the top three priorities for worship leaders?” My answers are simple but I believe that if heeded and practiced, they will bring fruit to your worship leading experience. My suggestions are based on the teaching of Jesus from Matthew 22:37-40 when He was asked what He thought was the greatest commandment:
Jesus replied: “ ‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.” (NIV)
1. Love God. This seems obvious at first but it is a commandment from Jesus. Loving God in every area of our life is our greatest testimony. When we have a passion for God in work, when we play, when times are smooth and when they are rocky, when we are with our families and our guard is down, our passion for God is obvious and it is contagious when others see us living what we lead.
2. Love people. We must live a singular life when we lead people. We cannot be one way with our close friends and then another with those we lead at church. If we lead by influence (and this, in my opinion, is the only way to lead), and we love and respect people–stopping to listen to their story and showing care and concern for them–they will follow us. A true leader is one who never has to force people to follow. If you find yourself coercing others to follow, you are not a leader. People will follow your leadership if you care for them.
3. Bring excellence. My pastor always encourages our team to bring our “A” game each service. We have five services each weekend and it can be easy to “phone-one-in” if we are not careful.
The best way for me to bring my best is to, first, be prepared. I believe proper preparation for our worship leading brings rest. I am relaxed. This, in turn, helps my team and the congregation to be relaxed (people have a hard time focusing on God when you are fumbling around as the leader).
Second, it helps to be focused. I try to train my heart and mind to zero-in on the task at hand for the hour or so before I lead. One tool I use to help me with this is to put a cheat-sheet (notes, keys changes, chord changes, arrangements, etc.) on the floor next to my mic stand so I can look down and find my bearings, if needed, as I proceed through the worship service.
Third, I think rehearsal is so important. I can hear you saying a collective, “DUH!” right about now! We have rehearsals on Tuesday nights so we then have a few days to study the rehearsal CD before we arrive back on Saturday afternoon to lead the services. Two services Saturday and two or three Sunday in multiple sanctuaries. It’s a busy place.
I find that all of these preps bring rest and there is no better way to lead others. When we have a passion for God and people while knowing where we are going in worship, and how we are going to get there, others will gladly follow!
I have many more things to say that I can’t write here in this one post. So, if you want to learn more, I want to give you an opportunity to join me as I am starting two new web-based schools offering virtual classrooms and personal coaching. I will be the main instructor for both tracks. One track is to train and strengthen the next generation of songwriters for the church called Song Schools. The other course, Worship Consultants, is for churches and worship leaders who want to improve leadership skills, team-building and worship services. You can find out more details about each course at songschools.com, worshipconsultants.com and jamieharvill.com. Classes start in mid-July.
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Tags: chris beatty, jamie harvill, vocal coach, vocal training, worship leader, worship training
Posted in Choir Directors, From the Coach, Performance, Singing and Voice Lessons, Songwriting, Tips Tailored for You, Worship Team | 1 Comment »
Wednesday, May 19th, 2010
Lots of Experience, but Poor Technique
I recently had a new student who has been performing on stage and in the studio for many years. Recently, she has experienced several occurrences of her voice just leaving, and not returning full strength for weeks. The Ear, Nose and Throat doctor scoped her and announced, “You’re vocal folds are completely healthy.”
Good News; Bad News
It was encouraging to know that there was no visible, physical damage. At the same time it was discouraging not to know what caused the vocal loss. Her next step was coming to me, a voice teacher (technique and mechanics) and vocal coach (interpretation and expression).
A Little of the Right Kind of Training Can Go A Long Way
This gifted and experienced singer had never had regular vocal training of any kind. As we went step-by-step through her vocal technique, making adjustments along the way, she was shocked at all the big and little things that could be adjusted. She was also pleased to know the “why” of everything we did. With this full understanding, she will be able to reproduce the right technique until it becomes habit. That muscle memory will take a few months. But, meaningful changes were already starting to take place.
Start Where You Are and Don’t Stop Learning
Even if you haven’t experienced the kind of trouble this student did, there is a good chance you have more to learn. Most of us get complacent until there’s trouble. The smarter approach is to keep learning, and learning and learning. Set yourself up for success by doing regular warm-ups and singing songs. All along the way, track what’s working and what isn’t in a journal. That way you have a measure of what’s going on and can share it with a teacher or coach. Even if you don’t work with a teacher you can choose what training materials you need.
For example, if you have terrible posture during the day, and run out of breathing when singing you might consider our Compete Breathing and Complete Tone CD’s. They get right to the heart of the matter with very specific principles and exercises. If you need to be more expressive consider enrolling in a voice class or acting class at a local community college. If you have the desire, there’s probably a way to make it happen.
Let Me Know Your Thoughts in the Comments section below.
Tags: chris beatty, healthy singing, singing lessons, vocal coach, vocal health, vocal training
Posted in Performance, Singing and Voice Lessons, Soloist, Tips Tailored for You, Worship Team | 2 Comments »
Friday, April 2nd, 2010
Don’t Forfeit Your Own Voice By Just Imitating Others!
If you never take the time and effort to discover your own best vocal sound you may well forfeit, and be deprived of ever knowing your full vocal potential. Here are some thoughts and steps to help you keep growing and be your best.
We Learn By Imitation
It is true that we learn to speak by imitation. Everything from tone quality to diction and accent will reflect those you were around during your vocally formative years. But, you are not limited to how you began. Any performer who has taken singing or acting classes realizes the tremendous potential to expand and fine-tune the vocal instrument.
There Are Limitations, But Not That Many
That being said, there are limits to what any vocalist can do, depending on the anatomy and structure of the individual. But, few of us come close to maximizing the potential that’s just waiting to happen. A modern day example of that is demonstrated in the American Idol TV show. It is common to see a mediocre singer, with good potential suddenly come alive and really communicate. How does this happen?
They are challenged, coached and rehearsed by professionals in a focused environment. They are also forced to experience new styles and genres. Some, that they may not even relate to. The result? They have the opportunity to try new things, push their abilities beyond the comfort zone and grow as artists and communicators.
Here Are Some Steps To Help You Reach Your Potential
1. Open Your Mind and Ears. Get out of the mental rut that says, “This is just how I sound.” Change that to, “This is how I have sounded, but there’s probably much, much more I can do.” Start listening to some other songs and styles within your comfort zone (for now) and sing along. If you never allow your voice to try something new you will live in a vocal and stylistic rut.
2. Be Creative and Daring Alone. Become as uninhibited as a child in using not only your voice, but also your face, arms and entire body to act out the song. Go overboard, exaggerating everything just to experience the potential. Will you need to dial that back a little in real performance? Maybe, but probably not as much as you first think. Full, honest, meaningful expression is what you owe to your listener.
3. Be Creative and Daring In Front of Others. Find a few people with some performance experience and ask them to be your audience. Let them know you are striving to expand your vocal and physical expression and get their feedback. But remember that even they should not limit your road to experimentation.
4. Use Neutral Tools. Mirrors and video feedback, using anything from a video camera, computer or iPhone can all be helpful. And, if you’re not already doing it consider some form of systematic training. That can be in the form of a few key CD’s like Complete Breathing, Warm-up & Tone to keep you on track. Comprehensive sets like Vocal Coach Singer include full training principles and exercises, journals and a guidebook to help you track your progress and make meaningful adjustments as you go. You may also find a good local teacher or coach as well as classes at a community college.
There are lots of ways to learn, but do something. Don’t forfeit your best for what just happens to be there now. Be all you can be. It’s much more satisfying for both you and the listener.
Please Share. I’d love to know what has, and has not helped you maximize your vocal gift. Comment here, or email me at chris@vocalcoach.com
Tags: american idol, chris beatty, singing lessons, singing your best, vocal coach, vocal coaching
Posted in Choir Directors, Duets to Groups, Kids and Teens, Performance, Singing Exercises, Singing and Voice Lessons, Teaching Teens To Sing, Tips Tailored for You, Worship Team | 2 Comments »
Sunday, March 21st, 2010
Do you control your voice, or does it control you? An odd question? Perhaps, but I know many a singer who’s happiness with life is linked to whether their voice is working well, or not on any given day. And many of these same singers are doing absolutely nothing to build vocal foundations that result in a predictable, stable vocal experience.
In other words, they’re treating the voice as a mysterious, sometimes-it’s-there, sometimes-it’s-not instrument, and that never works. The fact is, what we call “the voice” can be as predictable and dependable as a carpenter’s tool or a professional baseball pitcher’s throwing arm. Both the tool and the arm can have issues, of course, but with proper development and maintenance they tend to serve well for many years.
My advice is to be proactive with your voice. Identify your weaknesses as well as areas that you just don’t understand at all. Be honest. Then, step-by-step, find ways to conquer each area, either with personal training, Online training, or with hardcopy or download CD’s that address your issues. The important thing is that YOU be in charge of your voice. Don’t just LET things happen. MAKE things happen.
Got some specific questions that need answering? Let me know at chris@vocalcoach.com and be sure to see the new special offer on the Vocal Coach store.
Tags: chris beatty, sing better, singing lessons, vocal coach, Vocal control, vocal performance
Posted in Choir Directors, Duets to Groups, From the Coach, Performance, Singing Exercises, Soloist, Teaching Teens To Sing, Tips Tailored for You, Uncategorized, Worship Team | No Comments »
Monday, February 22nd, 2010
Have you ever noticed that those who act on their dreams with discipline and training are the ones who reach their goals? And, those who are dreamers-only, without discipline and training usually don’t accomplish their goals?
In the Olympics we see only the best of the best. Those who for years have paid the price to physically and mentally prepare for the toughest competitions in the world. The ones who know that 2/100ths of a second can make the difference between winning and loosing.
They have to train well, eat well, rest well and do everything in their power to stay healthy. Even a small cold or upset stomach can compromise their performance, and they know it. Performing at the Olympic level is very inconvenient and costly, but that’s what it takes, and they are willing to pay the price.
In contrast, American Idol shows it all. We see everything from the very gifted and talented to those who have no idea what they are doing. Many have been encouraged to audition based on their talents and dedication. Others have been encouraged to audition by well-meaning family and friends when what they really needed was more training. It’s no different than sports. It takes more than just wanting it.
What really shows the value of intense, professional training and coaching is what happens in the performances of even the best singers. They continue to improve. Many become truly great vocal communicators. They learn to own it all: The high notes, movement and expression. They deliver complete message to the audience, and that takes work, and the right kind of training.
One big lesson for us all is to know when to just encourage someone with positive comments and when to point them towards excellent training. As I have said many of times, Inspiration Without Preparation leaves you incomplete, lacking necessary skills and consistency. And, Preparation Without Inspiration often leaves you mechanical, and boring.
Does that mean we should only dream about things we are sure to accomplish? No. I regularly dream about doing all kinds of things that I couldn’t possibly accomplish in one lifetime, and I’m fine with that. But, I also realize that if I am honestly interested in accomplishing a certain goal, I have to be willing to pay the price of training and discipline. Sometimes I am willing; sometimes I’m not, but at least I know it.
How do these thoughts challenge you? Hopefully, you will look at where you are now as a singer, where you would like to be and make the big decision: Am I willing to pay the price to get to the next level? Will I sacrifice to make the time and resources available for my training?
If the answer is yes, do the necessary research to see what training is available in your area, or what resources you should purchase. If the answer is no, that’s fine, too. You can still enjoy singing at your current level and stop being anxious about not being more accomplished at this time. In either case, it’s good to identify what should, or should not be happening right now and act accordingly.
Review the underlined phrases above and sing on!
Tags: chris beatty, singing, singing lessons, vocal coach, vocal coaching, Vocal Olympics
Posted in Choir Directors, Duets to Groups, Performance, Soloist, Teaching Teens To Sing, Worship Team | No Comments »
Friday, January 15th, 2010
Finding great songs that will work well for you takes more work than just dreaming. It isn’t as simple as just saying, “I like that song. It moves me. I think I’ll perform that at my next opportunity.” There is, however, a process you can work through that will help you qualify songs that you will be able to sing and communicate well, and here it is:
There are millions of songs out there in addition to what you can write. As you choose carefully you will increase your chances for strong communications.
Posted in Choir Directors, Duets to Groups, Performance, Worship Team | No Comments »
Friday, January 15th, 2010
A choir director recently called me and said, “Help! I’m Leading By Example & I’m Not a Good One!”
We all do it. Lead by example, that is. It’s just the way things work. Our children learn how to speak by imitating those who raise them. That can be good, or that can be bad. Our moral judgments, values, eating habits, attitudes and more are also passed on to those under our care.
When it comes to any kind of vocal group the same is true. The leadership who takes their voices, and how they use them seriously will be constantly sharing good foundations as they speak sing and lead. Those who don’t may be creating confusion as they ask for one thing and demonstrate another. Now, I’m not suggesting that choir directors need to be great singers. But certain, non-negotiable foundations can be maintained by almost anyone at any age.
I strongly believe that one of the most influential vocal leaders in today’s society is the high school choir director. During this time in a singer’s life he or she is in the “learning mode” and very vulnerable to what is being taught. In college only the music or voice majors pay much attention to voice technique and as we get older the percentages get even smaller. Yet we all continue to use our voices for a lifetime.
Why this power at the High School level? Perhaps it’s because choir is a contrast to English, French, algebra or biology. It’s a place where the audio senses can engage along with a different kind of social interaction. And, like sports, it has an element of team interdependency and that is an important skill to learn.
Second only to the High School setting is the church youth choir. Here, with the addition of the spiritual is a place where a supernatural unity can develop in sound and spirit, and it doesn’t get much better than that.
If you are in a place of influence over singers, whether as a choir director, worship leader, voice teacher or public school music teacher at any level, YOU ARE LEADING BY EXAMPLE WHETHER YOU WANT TO OR NOT. Those under your care are not just listening to your instruction. They are observing your posture, breathing, facial expression and more. They are listening to the tone and pitch accuracy in your voice.
Your desire should be to continue to evolve as a singer and leader, and that takes commitment and time. It is, I believe, necessary if you are to continue to be the best possible influents you can be. And, here’s a bonus: You will be experiencing personal satisfaction every step of the way.
Tags: choir, good foundations, habits, leadership
Posted in Breathing, Choir Directors, Performance, Posture, Tips Tailored for You, Worship Team | No Comments »