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	<title>Comments on: “Your Vocal Folds Are Completely Healthy”</title>
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	<link>http://vocalcoach.com/blog/2010/05/%e2%80%9cyour-vocal-folds-are-completely-healthy%e2%80%9d/</link>
	<description>Singing Tips and Advice from Chris and Carol Beatty</description>
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		<title>By: chrisbeatty</title>
		<link>http://vocalcoach.com/blog/2010/05/%e2%80%9cyour-vocal-folds-are-completely-healthy%e2%80%9d/comment-page-1/#comment-69</link>
		<dc:creator>chrisbeatty</dc:creator>
		<pubDate>Fri, 21 May 2010 16:41:14 +0000</pubDate>
		<guid isPermaLink="false">http://vocalcoach.com/blog/?p=142#comment-69</guid>
		<description>Knowing theory and &quot;owning&quot; it in performance and exams are two different things. One is mental and/or under a non-threatening environment.  The other involves emotion, fear and adrenaline, any of which can impact breathing, tone quality, pitch and more. The bottom line is this: You have to be more MORE SECURE IN YOUR PHYSICAL TECHNIQUES than you are nervous or insecure.  It&#039;s just like a baseball player who hits every pitch in practice, but under real-game pressure can&#039;t do it. Their coaches lead them through a serious of focus and muscle memory exercises.  

We, singers, need the same. Focus. 100% secure breath management. The ability to produce free, resonance tone at a moment&#039;s notice etc. This comes from practicing technique outside of singing songs, THEN, slowing applying it to songs while being focused and alert.  It&#039;s not either practice techniques OR performance. The two must be married.</description>
		<content:encoded><![CDATA[<p>Knowing theory and &#8220;owning&#8221; it in performance and exams are two different things. One is mental and/or under a non-threatening environment.  The other involves emotion, fear and adrenaline, any of which can impact breathing, tone quality, pitch and more. The bottom line is this: You have to be more MORE SECURE IN YOUR PHYSICAL TECHNIQUES than you are nervous or insecure.  It&#8217;s just like a baseball player who hits every pitch in practice, but under real-game pressure can&#8217;t do it. Their coaches lead them through a serious of focus and muscle memory exercises.  </p>
<p>We, singers, need the same. Focus. 100% secure breath management. The ability to produce free, resonance tone at a moment&#8217;s notice etc. This comes from practicing technique outside of singing songs, THEN, slowing applying it to songs while being focused and alert.  It&#8217;s not either practice techniques OR performance. The two must be married.</p>
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		<title>By: Sadie</title>
		<link>http://vocalcoach.com/blog/2010/05/%e2%80%9cyour-vocal-folds-are-completely-healthy%e2%80%9d/comment-page-1/#comment-68</link>
		<dc:creator>Sadie</dc:creator>
		<pubDate>Thu, 20 May 2010 23:03:25 +0000</pubDate>
		<guid isPermaLink="false">http://vocalcoach.com/blog/?p=142#comment-68</guid>
		<description>Hi, thanks for the tips and I hope you remain blessed in Christ! Can there be something such as having the ability to know the techniques in theory, but get stuck in the practical? What I&#039;m trying to say is that I do know a lot, thanks to your CD&#039;s and tips as well as my own training in the past. I even know how to internalize the theory and apply it to the workouts, but I&#039;m frustrated when I go out to perform or minister or to do my vocal exams, that none of what I use when I train and rehearse seems to work. Like I said, I know the theory, but somewhat lacks ability to apply it properly. Would you say that this is the ultimate problem? Is there a way or perhaps one more technique that I missed that teaches me to apply what I know?</description>
		<content:encoded><![CDATA[<p>Hi, thanks for the tips and I hope you remain blessed in Christ! Can there be something such as having the ability to know the techniques in theory, but get stuck in the practical? What I&#8217;m trying to say is that I do know a lot, thanks to your CD&#8217;s and tips as well as my own training in the past. I even know how to internalize the theory and apply it to the workouts, but I&#8217;m frustrated when I go out to perform or minister or to do my vocal exams, that none of what I use when I train and rehearse seems to work. Like I said, I know the theory, but somewhat lacks ability to apply it properly. Would you say that this is the ultimate problem? Is there a way or perhaps one more technique that I missed that teaches me to apply what I know?</p>
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